Description: VIVALDI Various CDs GLORIAS Magnificat Concertos Flute Operas YOU PICK For condition please see corresponding descriptions and photos The VIVALDI Album by CECILIA BARTOLI CD 1999 Decca OPERA Giardino Armonico CD is in like new condition, please see photos Audio CD (October 26, 1999) SPARS Code: DDD Number of Discs: 1 Label: Decca On CD: 1. Dorilla in Tempe (I), opera ("melodramma erioco-pastorale") in 3 acts, RV 709 Dell'aura al sussurrar 2. Griselda, opera in 3 acts, RV 718 Dopo un'orrida procella 3. Di due rai languir costante, aria from unknown opera for voice, two flagelets, strings & continuo, RV 749.4 4. Orlando finto pazzo, opera in 3 acts, RV 727 Qual favellar?...Anderò, volerò, grider 5. Zeffiretti, che sussurrate, aria from unknown opera for voice, strings & continuo, RV 749.21 6. La Fida ninfa, opera in 3 acts, RV 714 Alma oppressa 7. La Fida ninfa, opera in 3 acts, RV 714 Dite, oim 8. Giustino, opera in 3 acts, RV717 Sventurata navicella 9. Giustino, opera in 3 acts, RV717 SOrte, che m'invitasti...Ho nel petto un cor sì forte 10. L' Olimpiade, opera in 3 acts, RV 725 Tra le follie...Siam navi all'onde algenti 11. Farnace, opera in 3 acts, RV 711 Gelido in ogni vena 12. Il Tamerlano (Il Bajazet), opera ("tregedia per musica") in 3 acts (pasticcio compiled by Vivaldi), RV703 Anch'il mar par che sommerga 13. Teuzzone, opera in 3 acts (partly by others), RV 736 Di trombe guerriere Composed by Antonio Vivaldi with Cecilia Bartoli, Giardino Armonico Conducted by Giovanni Antonini * Antonio Vivaldi: Concertos, Op. 10, Nos. 1-6 & Giuseppe Sammartini: Concerto In F Major by Michala Petri CD 1996 BMG distributor Moscow Virtuosi Vladimir Spivakov CD is in like new condition, please see photos Audio CD (November 12, 1996) SPARS Code: DDD Number of Discs: 1 Label: RCA On CD: 6 Concertos for flute, 2 violins, viola, organ & continuo, Op. 10, Composed by Antonio Vivaldi: 1. Concerto No. 1 In F Major, Op. 10, La Tempesta Di Mare (RV433) 2. Concerto No. 2 In G Minor, Op. 10, La Notte (RV439) 3. Concerto No. 3 In D Major, Op. 10, Il Cardellino (RV428) 4. Concerto No. 4 In G Major, Op. 10 (RV435) 5. Concerto No. 5 In F Major, Op. 10 (RV434) 6. Concerto No. 6 In G Major, Op. 10 (RV437) 7. Concerto for recorder & orchestra in F major, Composed by Giuseppe Baldassare Sammartini Performed by Michala Petri and Moscow Virtuosi, Conductor Vladimir Spivakov Michalla Petri playing is delightful, virtuosic and intense. * Vivaldi: Eleven Concertos by Anner Bylsma, David Greenberg, Washington McClain CD 1997 Sony Music Distribution USA CD is in like new condition, round hole at the barcode area, please see photos Performer: Anner Bylsma, Christina Mahler, John Abberger, Washington McClain, David Greenberg, et al. Orchestra: Tafelmusik Baroque Orchestra Conductor: Jeanne Lamon Composer: Antonio Vivaldi Audio CD (April 1, 1997) Label: Sony Absolutely amazing! This is one of the most explosive, dynamic, and superb symphonies. Vivaldi had definetly outdone himself with these compositions. A must buy, if you're a Baroque period lover. This is better than Bach's Brandenburg's and his Orchestral Suites. All tracks are filled with so much power and energy you can't help but trilled with this divine music! On CD: 1. Concerto for strings & continuo in G minor, RV 157 2. Cello Concerto, for cello, strings & continuo in D major, RV 403 3. Concerto for strings & continuo in G minor, RV 152 4. Cello Concerto, for cello, strings & continuo in B minor, RV 424 5. Concerto for strings & continuo in D minor, RV 127 6. Concerto for 2 violins, 2 cellos, strings & continuo in D major, RV 564 7. Double Oboe Concerto for 2 oboes (or recorders), strings & continuo in D minor, RV 535 8. Cello Concerto, for cello, strings & continuo in A minor, RV 419 9. Cello Concerto, for cello, strings & continuo in E minor, RV 409 10. Concerto for 4 violins, strings & continuo in C major, RV 557 11. Concerto alla rustica, for strings & continuo in G major, RV 151 * Vivaldi: Famous Flute Concerti by Jiri Stivin, Jiri Valek CD 1992 Naxos Distributor CD is in like new condition, please see photos "The excellent Slovak Philharmonic, play with vitality and sensitivity" Penguin Guide On CD: Concerto in F Major for Flute, Strings & Basso Continuo, RV 434 Concerto in A Minor for Flute & Strings, RV 108 Concerto in C Major for Two Flutes, Strings & Basso Continuo, RV 533 Concerto in C Major for Flautino, Strings & Basso Continuo, RV 443 Concerto in C Major for Flautino, Strings & Basso Continuo, RV 444 Concerto in A Minor for Flautino, Strings & Basso Continuo, RV 445 Much of Vivaldi's expenditure was presumably in the opera-house. He was associated from 1714 with the management of the San Angelo Theatre, a second-rate house which nevertheless began to win a name for decent performances, whatever its economies in quality and spectacle. Vivaldi is known to have written some 46 operas, and possible some 40 more than this; he was also involved as composer and entrepreneur in their production in other houses in Italy. It was his work in the opera-house that led to Benedetto Marcello's satirical attack on him in 1720 in Il teatro alla moda, on the frontispiece of which Aldaviva, alias Vivaldi, is seen as an angel with a fiddle, wearing a priest's hat, standing on the tiller with one foot raised, as if to beat time. It has been suggested that "on the fiddle" had similar connotations in Italian to those it retains in English. Vivaldi had his enemies. Vivaldi wrote some fifteen concertos for fiauto traverso, the transverse flute, two of them incomplete, two for solo recorder and three for an instrument he describes as a fiautino, identifiable with the sopranino recorder rather than the anachronistic piccolo. The Flute Concerto in F major, RV 434, the second in that key, was published in Amsterdam as part of the set of six flute concertos that form Opus 10. It is closely related to the Recorder Concerto, RV 442, designed for an instrument of slightly different range. The Concerto in A minor, RV 108, was written for recorder and two violins, listed among those for a group of solo instruments. The Concer1o for two flutes, RV 533, is one of a score written for pairs of similar or different instruments. The autograph clearly allocates it to two transverse flutes, which offer a central slow movement with the aid of only harpsichord and cello, before the return of the rest of the strings for the last movement. The three solo concertos for fiautino have allowed writers to speculate on the nature of the instrument so described. It seems now agreed that the instrument in question is the sopranino recorder, and not the piccolo, which appears slightly later in the century, or the flageolet, usually so designated by Vivaldi. The composer shows no mercy for the player of the little instrument, treated, in spite of its size, with full seriousness of musical purpose. * VIVALDI GLORIAS, Dixit Dominus, Magnificat, Beatus Vir CD 1994 2 Discs London 2 CDs Set is in like new condition, please see photos Vivaldi, George Guest, Philip Ledger, Stephen Cleobury, The King's College Choir Of Cambridge, St. John's College Choir – Glorias; Dixit Dominus; Magnificat; Beatus Vir Label: Decca – 443 455-2 Format: 2 × CD, Compilation Country: USA Released: 1994 Genre: Classical Style: Baroque On CDs: Gloria In D Minor, RV 588 1-1 Gloria In Excelsis Deo 1-2 Et In Terra Pax Hominibus 1-3 Laudamus Te 1-4 Gratias Agimus Tibi 1-5 Domine Deus 1-6 Domine Fili Unigenite 1-7 Domine Deus, Agnus Dei 1-8 Qui Tollis Peccata Mundi 1-9 Qui Sedes Ad Dexteram Patris 1-10 Quoniam Tu Solus Sanctus 1-11 Cum Sancto Spiritu Gloria In D Major, RV 589 1-12 Gloria In Excelsis Deo 1-13 Et In Terra Pax Hominibus 1-14 Laudamus Te 1-15 Gratias Agimus Tibi 1-16 Propter Magnam Gloriam 1-17 Domine Deus 1-18 Domine Fili Unigenite 1-19 Domine Deus, Agnus Dei 1-20 Qui Tollis Peccata Mundi 1-21 Qui Sedes Ad Dexteram Patris 1-22 Quoniam Tu Solus Sanctus 1-23 Cum Sancto Spiritu Magnificat In G Minor, RV 610 2-1 Magnificat...Et Exultavit 2-2 Et Misericordia...Timentibus Eius 2-3 Fecit Potentiam...Deposuit Potentes 2-4 Esurientes Implevit...Divites Dimisit Inanes 2-5 Suscepit Israel...Sicut Locutus Est 2-6 Gloria Patri...Sicut Erat...Amen Dixit Dominus In D Major (Psalm 109), R 594 2-7 Allegro: Dixit Dominus 2-8 Largo: Donec Ponam 2-9 Allegro: Virgam Virtutis Tuae 2-10 Andante: Tecum Principium 2-11 Adagio - Allegro: Juravit 2-12 Allegro: Dominus A Dextris Tuis 2-13 Largo - Allegro Molto: Judicabit 2-14 Andante: De Torrente 2-15 Allegro: Gloria Patri 2-16 Allegro: Sicut Erat Beatus Vir In C Major (Psalm 111), R 597 2-17 Allegro: Beatus Vir 2-18 Allegro Non Molto: Potens In Terra/ Allegro (Antifonia): Beatus Vir 2-19 Allegro: Gloria Et Divitiae 2-20 Andante Molto: Exortum Est 2-21 Allegro: Jucundus Homo/ Allegro (Antifonia): Beatus Vir 2-22 Andante Molto: In Memoria Aeterna/ Allegro (Antifonia): Beatus Vir 2-23 Allegro: Paratum Cor 2-24 Largo - Presto: Peccator Videbit/ Allegro (Antifonia): Beatus Vir 2-25 Allegro: Gloria Patri Credits Alto Vocals – Michael Cockerham (tracks: 2-1 to 2-6) Bass Vocals – John Shirley-Quirk (tracks: 2-7 to 2-25) Composed By – Vivaldi Conductor – George Guest (tracks: 1-1 to 1-23), Philip Ledger (tracks: 2-1 to 2-6), Stephen Cleobury Contralto Vocals – Helen Watts (tracks: 2-7 to 2-25) Mezzo-soprano Vocals – Anne Wilkens (tracks: 1-1 to 1-23) Orchestra – English Chamber Orchestra (tracks: 2-7 to 2-25), St. John's College Choir (tracks: 1-1 to 1-23), The Academy Of St. Martin-in-the-Fields (tracks: 2-1 to 2-6), The King's College Choir Of Cambridge (tracks: 2-1 to 2-6), The King's College Choir Of Cambridge (tracks: 2-7 to 2-25), The Wren Orchestra (tracks: 1-1 to 1-23) Organ – David Briggs (5) (tracks: 2-7 to 2-25), Richard Farnes (tracks: 2-7 to 2-25) Painting, Cover – Lodovico Carracci Soprano Vocals – Isobel Buchanan (tracks: 2-7 to 2-25), Jennifer Smith (3) (tracks: 2-7 to 2-25), Lynda Russell (tracks: 1-1 to 1-23), Patrizia Kwella (tracks: 1-1 to 1-23) Tenor Vocals – Andrew King (5) (tracks: 2-1 to 2-6), Ian Partridge (tracks: 2-7 to 2-25), Kenneth Bowen (tracks: 1-1 to 1-23) Treble Vocals – Peter Castle (tracks: 2-1 to 2-6) Notes ℗ 1977, 1982, 1986 The Decca Record Company Limited, London © The Decca Record Company Limited, London CD is made in USA. Barcode and Other Identifiers Barcode: 028944345520 SPARS Code: DDD SPARS Code: ADD Label Code: LC 0171 Other (Catalogue Number CD1): 443 456-2 Other (Catalogue Number CD2): 443 457-2 *** Antonio Vivaldi Le Quattro Stagioni by Simon Standage Trevor Pinnock CD Archiv - SOLD * Once virtually forgotten, Antonio Vivaldi now enjoys a reputation that equals the international fame he enjoyed in his heyday. Born in Venice in 1678, the son of a barber who was himself to win distinction as a violinist in the service of the great Gabrielis and Monteverdi at the basilica of San Marco, he studied for the priesthood and was ordained in 1703. At the same time he established himself as a violinist of remarkable ability. A later visitor to Venice described his playing in the opera-house in 1715, his use of high positions so that his fingers almost touched the bridge of the violin, leaving little room for the bow, and his contrapuntal cadenza, a fugue played at great speed. The experience, the observer added, was too artificial to be enjoyable. Nevertheless Vivaldi was among the most famous virtuosi of the day, as well as being a prolific composer of music that won wide favour at home and abroad and exercised a far-reaching influence on the music of others. For much of his life Vivaldi was intermittently associated with the Ospedale della Pietà, one of the four famous foundations in Venice for the education of orphan, illegitimate or indigent girls, a select group of whom were trained as musicians. Venice attracted, then as now, many foreign tourists, and the Pietà and its music long remained a centre of cultural pilgrimage. In 1703, the year of his ordination, Vivaldi, known as il prete rosso, the red priest, from the inherited colour of his hair, was appointed violin-master of the pupils of the Pietà. The position was subject to annual renewal by the board of governors, whose voting was not invariably in Vivaldi's favour, particularly as his reputation and consequent obligations outside the orphanage increased. In 1709 he briefly left the Pietà, to be reinstated in 1711. In 1716 he was again removed, to be given, a month later, the title Maestro de' Concerti, director of instrumental music. A year later he left the Pietà for a period of three years spent in Mantua as Maestro di Cappella da Camera to Prince Philip of Hesse-Darmstadt, the German nobleman appointed by the Emperor in Vienna to govern the city. By 1720 Vivaldi was again in Venice and in 1723 the relationship with the Pietà was resumed, apparently on a less formal basis. Vivaldi was commissioned to write two new concertos a month, and to rehearse and direct the performance of some of them. The arrangement allowed him to travel and he spent some time in Rome, and indirectly sought possible appointment in Paris through dedicating compositions to Louis XV, although there was no practical result. Vienna seemed to offer more, with the good will of Charles VI, whose inopportune death, when Vivaldi attempted in old age to find employment there, must have proved a very considerable disappointment. In 1730 Vivaldi visited Bohemia; in 1735 he was appointed again to the position of Maestro de' Concerti at the Pietà and in 1738 he appeared in Amsterdam, where he led the orchestra at the centenary of the Schouwburg Theatre. By 1740, however, Venice had begun to grow tired of Vivaldi, and shortly after the performance of concertos specially written as part of a serenata for the entertainment of the young Prince Friedrich Christian of Saxony his impending departure was announced to the governors of the Pietà, who were asked, and at first refused, to buy some of his concertos. The following year Vivaldi travelled to Vienna, where he arrived in June, and had time to sell some of the scores he had brought with him, before succumbing to some form of stomach inflammation. He died a month to the day after his arrival and was buried the same day with as little expense as possible. As was remarked in Venice, he had once been worth 50,000 ducats a year, but through his extravagance he died in poverty.
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Return shipping will be paid by: Buyer
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Item must be returned within: 30 Days
Refund will be given as: Money Back
Features: Compilation
Format: CD
Modified Item: No
Occasion: Any
Country/Region of Manufacture: United States
CD Grading: Near Mint (NM or M-)
Edition: Greatest Hits
Record Label: Decca, RCA, Sony
Case Type: Jewel Case: Standard
Language: Italian, Latin, English
Release Title: VIVALDI Various CDs GLORIAS Magnificat Concertos Flute
Artist: VIVALDI, Various
Release Year: 1994
Style: Concerto, Opera
Color: Multicolor
Genre: Classical
Instrument: Orchestara, Flute
Case Condition: Excellent (EX)
Inlay Condition: Excellent (EX)
Type: Album
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Color: Album by CECILIA BARTOLI
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Color: Concertos, Op. 10, Nos. 1-6 & Giuseppe Sammartini:
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Color: Eleven Concertos by Anner Bylsma, David Greenberg,
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Color: Famous Flute Concerti by Jiri Stivin, Jiri Valek
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Color: GLORIAS, Dixit Dominus, Magnificat, Beatus Vir
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Color: Le Quattro Stagioni by Simon Standage Trevor Pinno
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