Description: The Lost Cinema of Mexico by Olivia Cosentino, Brian Price The first volume to challenge the dismissal of Mexican filmmaking from the 1960s to 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nations earlier Golden Age. This collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nations earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films.This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexicos modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and chili westerns.Redefining a time usually seen as a cinematic "crisis," this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large. Author Biography Olivia Cosentino is Zemurray-Stone Post-Doctoral Fellow at the Stone Center for Latin American Studies at Tulane University. Brian Price is professor of Spanish at Brigham Young University. He is the author of Cult of Defeat in Mexicos Historical Fiction: Failure, Trauma, and Loss and the editor of Asaltos a la historia: Reimaginando la ficción histórica hispanoamericana. Table of Contents Contents Foreword vii Maren Linett List of Abbreviations xiii Introduction: Disability Writing Joyce 1 Jeremy Colangelo 1. Two Sides ofHemiplegia: On the Affect of Paralysis in Dubliners 25 Jeremy Colangelo 2. "Limping and Devious": TheDisabled Male Body in "A Mother" 45 Casey Lawrence 3. When thePersonal Becomes Historical: Portrait andthe Textual Memory of Childhood Trauma 66 Boriana Alexandrova 4. Debility as Disability:Disorderly Eating in A Portrait ofthe Artist as a Young Man 91 Kathleen Morrissey 5. "Dark Men in Mien and Movement": Blindnessand the Body in Ulysses 106 Rafael Hernandez 6. Degeneration, Decadence, and Joyces Modernist Disability Aesthetics 131 Marion Quirici 7. Boulez, Cage, and the Disabled Wake 156 John Morey 8. Joyce, Swift, and the "Creep oer Skull"of the Gods 181 Giovanna Vincenti 9. The Anti-Erasure of LuciaJoyce: Resignification of Mad Histories in Finnegans Wake 200 Jennifer Marchisotto List ofContributors 223 Index 225 Details ISBN1683403053 Short Title The Lost Cinema of Mexico Pages 256 Publisher University Press of Florida Series Reframing Media, Technology, and Culture in Latin/o America Language English Year 2022 ISBN-10 1683403053 ISBN-13 9781683403050 Format Paperback Subtitle From Lucha Libre to Cine Familiar and Other Churros Imprint University Press of Florida Place of Publication Florida Country of Publication United States Illustrations 16 b&w illustrations, 1 table AU Release Date 2022-02-08 NZ Release Date 2022-02-08 UK Release Date 2022-02-08 Author Brian Price Edited by Brian Price Publication Date 2022-02-28 DEWEY 791.43097209046 Audience Professional & Vocational US Release Date 2022-02-28 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:161891731;
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Book Title: The Lost Cinema of Mexico