RARE 1888 UGANDA PROTECTORATE CARTOON - British Imperialism

Description: Source: British PUNCH humor/satire magazine, April 21, 1894, original leaf, pulled from the magazine, not a modern reproduction. Illustrated by John Tenniel. Size 8 1/2 x 11" (approximately) Condition: excellent -- bright and clean no handling wear, paper lays flat for easy framing; backside is blank. THE BLACK BABY. Mr. Bull [GB]: "What, another !! --Well, I suppose I must take it in."--In 1894, Uganda became a protectorate of the British Empire (until independence, 1962)--Archibald Philip Primrose, [Lord Dalmeny] (7 May 1847 – 21 May 1929) was a British Liberal politician who served as Prime Minister of the United Kingdom from March 1894 to June 1895. Rosebery's second period as Foreign Secretary, 1892–1894, predominantly involved quarrels with France over Uganda. To quote his hero Napoleon, Rosebery thought that "the Master of Egypt is the Master of India"; thus he pursued the policy of expansion in Africa. --In the 1890s, 32,000 labourers from British India were recruited to East Africa under indentured labour contracts to construct the Uganda Railway. Over 3,000 Punch cartoons listed for sale, combine orders and save shipping charges. Questions are always welcome. WHO IS THE ARTIST:Sir John Tenniel (1820 –1914) was an English illustrator, graphic humorist and political cartoonist prominent in the second half of the 19th century. Tenniel is remembered mainly as the principal political cartoonist for Punch magazine for over 50 years and for his illustrations to Lewis Carroll's Alice's Adventures in Wonderland (1865) and Through the Looking-Glass, and What Alice Found There (1871).WHAT IS PUNCH?Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.

Price: 19.95 USD

Location: Milton, Vermont

End Time: 2024-12-02T21:11:19.000Z

Shipping Cost: 6.95 USD