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MARGARITA COGNI LA Fornarina LOVER OF BYRON IN VENICE ~ 1832 Art Print Engraving

Description: MARGARITA COGNI (from the original, taken at the request of Lord Byron) Artist: Drawn by G. Harlowe ____________ Engraver: H.T. Ryall Note: the title in the table above is printed below the engraving CLICK HERE TO SEE MORE 19th CENTURY ANTIQUE PRINTS LIKE THIS ONE!! PRINT DATE: This engraving was printed in 18321; it is not a modern reproduction in any way. PRINT SIZE: Overall print size is 6 inches by 8 inches including white borders, actual scene is 4 3/4 inches by 5 1/4 inches. PRINT CONDITION: Condition is excellent. Bright and clean. Blank on reverse. Paper is quality woven rag stock paper. SHIPPING: Buyer to pay shipping, domestic orders receives priority mail, international orders receive regular air mail unless otherwise asked for. We take a variety of payment options. Full payment details will be in our email after auction close. We pack properly to protect your item! DESCRIPTION OF PRINT SUBJECT: On returning to Venice he took a six-month lease on the Villa Foscarini at La Mira where he settled down to write for the summer. He finished the draft of canto 4 of Childe Harold in late June, just before Hobhouse and Monk Lewis came to stay. During August the tranquillity of his affair with Marianna Segati (who was staying with him at the Villa Foscarini) ruptured when she heard of Byron's infatuation with the beautiful Margarita Cogni (‘La Fornarina’), the wife of a baker. The complications of these amorous adventures form the source of much amusement in his letters home, but more importantly, they initiated a sequence of events that culminated in the writing of Beppo ('in two nights') early in October. Byron had read John Hookham Frere's Whistlecraft and, following Beppo, went on to study the Italian tradition of ottava rima serio-comic narrative medley poetry. This led him to translate the first canto of Pulci's Morgante Maggiore and, crucially, to begin his masterpiece Don Juan, the first canto of which was completed in September 1818. Hobhouse left for England early in January 1818. Alone again, Byron plunged more deeply into the voluptuous life of Venice. From the conversazioni of the Countess Albrizzi he migrated to the more informal and literary parties of the Countess Marina Benzoni. In May he took on a three-year lease of the Palazzo Mocenigo on the Grand Canal in Venice, and shortly afterwards his natural daughter Allegra and her nurse Elise came to stay with him. (Desperately unhappy at giving up her daughter to Byron's care, Claire Clairmont was nevertheless bitterly aware that this would provide the child with a more socially secure future than to remain with her mother.) In August that year Byron placed Allegra in the care of his new friends, Richard Belgrave Hoppner, British consul at Venice, and his wife—his life at the Palazzo Mocenigo provided an unsuitable environment in which to care for a child. His household included fourteen servants, including Fletcher, his ferocious-looking gondolier, ‘Tita’ Falcieri, and Margarita Cogni, who acted as his housekeeper, as well as a menagerie of animals. Byron spent the summer indulging himself in food, conversation, and lovemaking. Please note: the terms used in our auctions for engraving, etching, lithograph, plate, photogravure etc. are ALL prints on paper, and NOT blocks of steel or wood or any other material. “ENGRAVINGS”, the term commonly used for these paper prints, were the most common method in the 1700s and 1800s for illustrating old books, and these paper prints or “engravings” were created by the intaglio process of etching the negative of the image into a block of steel, copper, wood etc, and then when inked and pressed onto paper, a print image was created. These prints or engravings were usually inserted into books, although many were also printed and issued as loose stand alone lithographs. They often had a tissue guard or onion skin frontis to protect them from transferring their ink to the opposite page and were usually on much thicker quality woven rag stock paper than the regular prints. So this auction is for an antique paper print(s), probably from an old book, of very high quality and usually on very thick rag stock paper. A RARE FIND! AND GREAT DECORATION FOR YOUR OFFICE OR DEN WALL.

Price: 7.19 USD

Location: New Providence, New Jersey

End Time: 2025-01-25T18:01:16.000Z

Shipping Cost: 7.95 USD

Product Images

MARGARITA COGNI LA Fornarina LOVER OF BYRON IN VENICE ~ 1832 Art Print Engraving

Item Specifics

Restocking Fee: No

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 14 Days

Refund will be given as: Money Back

Original/Licensed Reprint: Original

Date of Creation: 1800-1899

Subject: Landscapes

Material: Engraving

Type: Print

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