Description: Lot of 6, MEET JOHN DOE (1941) stills Barbara Stanwyck, Gary Cooper, Edward Arnold, Walter Brennan, Irving Bacon, Gene Lockhart, Warren Hymer, Andrew Tombes, Pierre Watkin, Charles C. Wilson, Pat Flaherty, Hank Mann! – sharp rich detailed photos! This film has a charming CHRISTMAS scene in it! This lot of photos will sell as a group. The first picture is just one of the group, please open and look at each still in this lot to measure the high value of all of them together. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too! PLEASE BE PATIENT WHILE ALL PICTURES LOAD After checking out this item please look at my other unique silent motion picture memorabilia and Hollywood film collectibles! COMBINE SHIPPING COST AND SAVE $ See a gallery of pictures of my other auctions HERE! These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions. DESCRIPTION: Meet John Doe, the classic 1941 Frank Capra political populist romantic newspaper journalism mistaken identity melodrama (about a female reporter who writes a fictional story, which she presents as fact, about a man who is planning to commit suicide in protest of the world's treatment of downtrodden people; when the column is a giant hit, she must find a man to portray the writer and hires ex-baseball player Gary Cooper) starring Gary Cooper (in the title role as John Doe), Barbara Stanwyck, Edward Arnold, Walter Brennan, Spring Byington, James Gleason, Gene Lockhart, Rod La Rocque, Sterling Holloway, Irving Bacon, Regis Toomey, J. Farrell MacDonald, and Ann Doran. Note that in the original story this movie was based on (by Richard Connell and Robert Presnell), it concludes with John Doe standing on the roof, preparing to jump, and the Barbara Stanwyck character, Nan, tries to talk him out of doing it, and he is unshakable, and he says "I'll always love you, Nan" and she replies "I'll always love you, John". He then looks out at the crowd, which is singing the Battle Hymn of the Republic, and when the clock strikes midnight, Nan looks at where he was standing, and it is now empty, and she has "a look of pride and great joy". Frank Capra and screenwriter Robert Riskin did not want this ending, because it involved the character committing suicide, and they felt that the Catholic Church would strongly object to that, which might make the movie unable to get distribution. Capra filmed five different endings and previewed at least two of them. In one, they had the suicide take place, and ended with Walter Brennan holding John's dead body. In another, it ends at the John Doe Convention, with John Doe disgraced, and the editor saying "Well, boys, you can chalk another one up to the Pontius Pilates." Another had Nan talking John out of committing suicide. In another, John convinces the corrupt publisher to change his ways and join John in his crusade. But none of those four seemed right. At one of the previews where they showed one of the above endings, a viewer suggested ending it with the John Doe members telling John that they had never stopped believing in him, and Capra then filmed that ending, and this is the ending that is on the movie's final version! CONDITION: These quality and vintage stills are in Near MINT physical condition, with a only a little scuffing and faint bumps keeping them from being perfect. I can’t prove which release these stills were used, original, re-release or re-strike. (SEE PIX) But they are NOT cheap dupes or recently printed copies. They are worth an average of $10 each but since I have recently acquired two huge collections from lifelong movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder. SHIPPING: Domestic shipping would be USPS Ground Advantage (includes $100 insurance) and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. The USPS has removed FIRST CLASS from eBay’s postage label system. (Darn it!) International shipping depends on the location, and the package would weigh close to a half a pound with even more extra ridge packing. PAYMENTS: Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck… BACKGROUND: “ “Frank Capra's "Meet John Doe" opens with a medley resonating exactly as if every facet of America tried to speak for itself through one universal language which is music, the result is both cheerful and misleading. Indeed, the first scene establishes the context with an eloquent subtext. A young clerk comes from the new editor manager's office and indicates through playful whistles the employees who're getting fired. The necessity and value of jobs are shown through a cruel irony, notice how no one protests as if it was part of a natural cycle in these Great Depression days and even non-blue collar jobs aren't immune to the ruthless laws of capitalism. That's for a start, now there would be no story in the status quo, the narrative takes off when one of the ill-fated employees decide to rebel (the typical Capra move: it takes one voice to be raised). As a last act of bravura, she manufactures a letter of protest with the pen-name "John Doe" menacing to throw himself off the city hall building at Christmas eve if nothing's done to help the people. In our 2010's jargon, it's called a buzz. And it sure does spread the 40s way (word-of-mouth, newspaper and radio) and one thing leading to another, Anne (Barbara Stanwyck) gets her job back with higher wages and convinces her boss to counter-attack the accusations of fakery by hiring a man who'd pretend to be John Doe. They find in Long John Willoughby the perfect average Joe, played by the always endearing Gary Cooper. John's a former baseball player whose career was cut short after an arm injury and whose life spiraled into poverty. Cooper plays his usual reliable and dependable average Joe, but I didn't remember how lively and captivating he was. After watching his "Sergeant York" and "Pride of the Yankees", I'm surprised he wasn't nominated for that performance. Cooper plays a normal fellow who enjoys this sudden rush of wealth and splendor and who doesn't grasp the malicious intents of his advisers... not out of naivety but from a firm belief that they're acting for the best. There are also growing feelings toward Anne, but thankfully, the romance is never played out too loud (though the film has one or two sentimental moment too many). Anyway, there are three characters who stand for their beliefs all through the films. John Doe and his sidekick (played by scene-stealing Walter Brennan) who enjoys the idleness of a life that doesn't hinge on any financial enslavement, his speech about the 'heelots' is still oddly relevant and I'm surprised that Capra could insert such a thought-provoking monologue in a film supposed to embrace all-American values. But perhaps behind this defiance toward the system, lies the failure of politicians to be entrusted by the people. As D.P. Norton, Edward Arnold embodies that ordinary selfishness. The actor doesn't overplay the corrupt aspect as if lying and deception were a second nature, as if actually, there's no betrayal to blame on politicians because it's part of their plans, and we make a wrong diagnosis by labeling their policies as "failures". The clever foreshadowing of Norton's true nature comes from his interest toward the 'John Doe' concept and then his positive reaction from Anne's answer "for money" when she was asked about her motives. Money is a word that hits a chord, the man can buy power and he quickly understands that John Doe is the horse on which he should bet. It all comes down to the central character of Anne who swims in different waters and has built a project that went beyond her own control. It just works too well and many average Joes join John's protests against the political corruption. The momentum is so great that there's room for a third political party but the man who pulls the strings is Norton and turns it into a 'grassroots' campaign. Anne's arc comes full closed when she realizes that she was as much a puppet as John, only with a higher price. She discovered at her own expenses that capitalism didn't exert its influence for the welfare of people but just as a never-ending cycle between money and power. Interestingly, the boss who fired her in the first place, revealed himself to be a softer heart, and tells John about the scam. And I think "Meet John Doe" does more for patriotism than another flag-raising movie of the same year "Sergeant York", and it's as biting a social commentary as "Citizen Kane". Much more it's an interesting case of a story that can speak a thousand words and provide that epic vibe with just a clever use of editing and montage of newspapers, reaction shots and sign-brandishing shots. Capra proved to be a master storyteller in a territory he made his own with "Mr. Deeds Goes to Town" and "Mr Smith Goes to Washington". One was a lighthearted comedy, the second a drama, "Meet John Doe" starting like the former, evolving like the latter could have metamorphosed its narrative in a strikingly dramatic way to end with the overdue Christic climax, faithful to the spirit of the original story from Robert Presnell Jr. The current ending might be your typical Frank Capra's restoration of faith in mankind with the bells ringing (literally) and hearts singing "Alleluia" but it seemed to belong to another movie, so far from the level of grittiness and sharpness displayed before. It has left a strong impact on me when I first saw it some ten years ago. I wasn't then the movie buff I am today, but I was underwhelmed by the conclusion, something was artificially fabricated to generate a happy ending that it failed to connect with the whole dynamics it was building up to that point. In other words, John Willoughby had to die. It would have been a rather tragic ending but with enough meaningfulness to seed bittersweet feelings and the sensation that things might get better.”
Price: 49.99 USD
Location: Miamisburg, Ohio
End Time: 2024-12-08T01:46:24.000Z
Shipping Cost: 3.43 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money back or replacement (buyer's choice)
Industry: Movies
Size: 8" x 10"
Object Type: Photograph
Original/Reproduction: Original
Style: Black & White
Country/Region of Manufacture: United States