Listed Artist Hope Sandrow (b.1951) "Act Like He Wants" Gelatin Silver Print

Description: Winner receives a silver gelatin print by well listed American artist Hope Sandrow (b. 1951). The piece is titled "Act Like He Wants" and dates to 1985. The piece has provenance from the Grace Mansion Gallery, New York. The original gallery label is affixed to the verso, seen magnified in picture 9. The piece retains its original gallery frame. The print is in very good original condition with no rips, tears, repairs, creases, or marks. There is a horizontal crease down the center of the piece as a result of the artist creating the piece from two separate prints. There is some edge wear including spots where there is bubbling due to the print separating from the backing. There are some minor surface imperfections that are not an eyesore. The original frame is in excellent condition with no chips, cracks, losses, or repairs, but does have some minor age related wear including some nicks and scrapes. The piece is ready for hanging as-is. The frame measures roughly 36" x 28", with the image measuring roughly 31" x 23.5". Please note this piece is very heavy, as the print is backed with plywood. Below is some information about the artist, whose work is in the permanent collections of the Metropolitan Museum of Art, The Museum of Modern Art, the Whitney Museum of American Art in NYC; the Corcoran Gallery of Art in DC; the Houston Museum of Fine Art, Texas; and the Parrish Art Museum in Southampton, NY. Please feel free to ask us any questions you may have prior to bidding or making an offer. Thank you for checking out our listing. Hope Sandrow was born in 1951 into a Jewish family that was in a chronic state mourning over the premature death of one of her sisters. Her photography studies at the Philadelphia School of Art (1972) were formative, but what interested her wasn’t photography as such, but rather the way that the technique could be used to access another reality, which was more invasive and tangible. She explored a method in which several photographs were printed onto the same sheet of paper, where, in a manner, the proportions of the image would become one with the physical space. Heartened by the wave of feminism at the time, Sandrow embarked on her interactive series Men on The Street (1978–82), which as she herself said in an interview, involved “picking up men and asking them to assume outrageous poses on city streets. The landscape was a sculptural element; directing men empowered me.” In order to further explore this image of masculine dominance, she asked some of her male colleagues to pose next to the classic sculptures at the Metropolitan Museum of Art. In 1988, she showed an exhibition in the avant-garde Gracie Mansion gallery in the East Village. This unorthodox gallery owner had opened an art space in her bathroom in 1982. The exhibition of cut-up nature photographs in white frames caused a great deal of excitement. However, just a few days into the exhibition period, the images began to fade. It was discovered that the white paint that had been used on the frames contained a bleach that destroyed the prints. All the pictures disappeared. In her work, Hope Sandrow strives to create pieces that represent the very history of everyday life. She examines the concepts of nature, culture, art, identity, gender, science, and history, as well as the politics and myths of power. In 1986, she participated in the group exhibition Directions at the Hirshhorn Museum. Lacking the established postmodern concepts we take for granted today, the curator described her style as “baroque”. The highly subjective point of view, the overloaded, winding compositions, and the powerful emotional expressions would become her trademark style in her later photo series, which played a part in the radical shift that was occurring at this time thanks to people like Cindy Sherman, Sherrie Levine, and Nan Goldin. The pictures broke out of the image space and invaded reality. ”I want to present nature more real than itself... ...to playfully distort size relationships in a fragment of an infinite picture plane. Images are printed larger than life to change the viewer’s role to that of a participant.” Collections: the Metropolitan Museum of Art, The Museum of Modern Art, and the Whitney Museum of American Art in NYC; Corcoran Gallery of Art in DC; Houston Museum of Fine Art, Texas; Parrish Art Museum in Southampton, NY. All of our items have been stored in a temperature controlled environment with no pets or smoking allowed. We strive to provide a wide array of artwork, antiques, and collectibles for everyone from the casual collector to other gallery owners. Whether you are a collector or a reseller, we will always try to work with you to the best of our ability to sell you the item you are interested in. We are always adding new treasures to our collection so please feel free to make an offer, as we constantly are turning over our inventory and need to free space up for our newest finds. We will never decline or ignore an offer. We look at every offer and if we don't accept it, we will make a fair counter offer. We took a few months off of Ebay to move our inventory in to a larger space but we are now back, better than ever. Please check our 100% seller feedback to see that we describe our items accurately and take much care in packing our items so they arrive safe and fast. We always offer free shipping within the United States and also offer international shipping at very reasonable rates. If you are bidding from another country, please contact us prior to making a bid or offer so we can quote you a fair shipping cost. If you have any questions, please message us prior to bidding or making an offer and we will respond within 24 hours. 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Price: 1995 USD

Location: Hudson, New York

End Time: 2024-11-24T22:52:39.000Z

Shipping Cost: 0 USD