Description: KEHINDE WILEY (b. 1975, Los Angeles, CA), 'Idrissa Ndiaye' (detail), 2008/2015ONE (1) Porcelain Collector's 10-3/4" Coup PlateBeautiful porcelain 10.75 in. coup plate featuring the artist's 2008 painting Idrissa Ndiaye (detail). Exclusive edition for the Guggenheim Museum's retrospective exhibition in 1997. Artists' stamped signature is fired into the back of plate. Dimensions: 10-1/4" (26 cm) diameter. BRAND NEW in original box / packaging.Kehinde Wiley's collection of six porcelain coupe plates allow you to bring the contemporary art home. Made in direct collaboration with the artist, the collection features details from paintings spanning 2008-2012. Each of the six images - 3 male and 3 female - are cropped against intricate, vibrant backgrounds, and can be hung decoratively or used as completely functional dinner plates. This porcelain plate features Kehinde Wiley's 2008 painting Idrissa Ndiaye, from The World Stage and features a model of the same name. Taking on a more regional approach, Wiley turned to many post-colonial sculptures throughout Lagos and Dakar for reference poses for his models. Each coupe plate is 10.75" and shows a stamped signature on the verso. The plates are individually boxed.Kehinde Wiley's acclaimed World Stage series inserts into the language of old master portraiture the very ethnicities and ethnic iconography that western art has most excluded from it, or that western art has portrayed solely in colonial, Orientalist terms. The rhetoric of Wiley's paintings is powerful in its candor, color and its playfulness with constructions of visual meaning.Kehinde Wiley has gained recent acclaim for his heroic portraits which address the image and status of young African-American men in contemporary culture. In this exhibition organized by the Columbus Museum of Art, Wiley will create a new cycle of paintings based on Old Master works from the Museum's permanent collection. Models discovered by the artist on the streets of Columbus dress in contemporary urban fashion as they mimic poses from these historic works. The sacred and secular themes of the Renaissance and Baroque references give new meaning to embedded codes of gesture and dress, past and present, while provoking a reconsideration of lingering stereotypes about masculinity, race and class in our society today.Kehinde Wiley is a New York based painter from Los Angeles who has situated himself firmly within art history’s tradition of portrait painting. Wiley, as the contemporary descendent of a long line of portraitists including Reynolds, Gainsborough, Titian, Ingres, and others, appropriates the signs and visual rhetoric of the heroic, powerful, opulent, majestic, and sublime in his representations of young, urban, black men.The subjects and stylistic references for his paintings are juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. By applying the visual vocabulary and conventions of glorification, history, wealth, power, and prestige to subject matter drawn from the urban fabric in which he is embedded, Wiley presents his young men as both heroic and pathetic, aestheticized and reified, autonomous and manipulated. Ultimately, Wiley’s practice disturbs and interrupts tropes of portrait painting to locate, in his words, “class struggle at the level of sign”.Wiley’s paintings often blur the boundaries between traditional and contemporary modes of representation. Rendered in a realistic mode –– while making references to specific old master paintings –– Wiley creates a fusion of period styles, ranging from French rococo, Islamic architecture and West African textile design to urban hip–hop and the “Sea Foam Green” of a Martha Stewart Interiors color swatch. Wiley’s slightly larger than life size figures are depicted in a heroic manner, as their poses connote power and spiritual awakening. Wiley’s portrayal of masculinity is filtered through these poses of power and spirituality.His portraits are based on photographs of young men who Wiley sees on the street, begun last year with men mostly from Harlem’s 125th Street, the series now includes models from the South Central neighborhood where he was born. Dressed in street clothes, they are asked to assume poses from the paintings of Renaissance masters, such as Titian and Tiepolo. Wiley also embraces French rococo ornamentation; his references to this style compliment his embrace of hip–hop culture. Similarly, the poses of his figures appear to derive as much from contemporary hip–hop culture as from Renaissance paintings.The artist describes his approach as “interrogating the notion of the master painter, at once critical and complicit.” Wiley’s figurative paintings “quote historical sources and position young black men within that field of power.” In this manner, Wiley’s paintings fuse history and style in a unique and contemporary manner.SELECT RECENT SOLO EXHIBITIONS:2025 'Kehinde Wiley: An Archaeology of Silence', Minneapolis Institute of Art (MIA), Minneapolis, MN2024 'Kehinde Wiley: Omaha', Joselyn Art Museum, Omaha, NE (September - ) 'Kehinde Wiley: An Archaeology of Silence', Perez Art Museum Miami (PAMM), Miami, FL (7/26/2024 - 1/12/2025)2023 'Kehinde Wiley: An Archaeology of Silence', Museum of Fine Arts (MFA) Houston, Houston, TX 'Kehinde Wiley: An Archaeology of Silence', de Young Museum, San Francisco, CA2022 'Kehinde Wiley: The Obama Portraits Tour', Museum of Fine Arts (MFA), Boston, MA 'Kehinde Wiley: The Obama Portraits Tour', de Young Museum, San Francisco, CA 'Kehinde Wiley: The Obama Portraits Tour', Museum of Fine Arts Houston, Houston, TX 'Kehinde Wiley: The Obama Portraits Tour', High Museum of Art, Atlanta, GA 2021 'Kehinde Wiley: The Prelude', National Gallery, London, UK 'Kehinde Wiley: The Obama Portraits Tour', Los Angeles County Museum of Art (LACMA), Los Angeles, CA 'Kehinde Wiley: The Obama Portraits Tour', Brooklyn Museum of Art (BMA), New York, NY 'Kehinde Wiley: The Obama Portraits Tour', Art Institute of Chicago, Chicago, IL 2020 'Kehinde Wiley: Ship of Fools', The Box, Plymouth, UK 'Kehinde Wiley: Painter of the Epic', Centre d’art La Malmaison, Cannes, France 'Kehinde Wiley: The Yellow Wallpaper', William Morris Gallery, London, UK 'Jacques-Louis David Meets Kehinde Wiley', Brooklyn Museum, New York, NY 2019 'Jacques-Louis David Meets Kehinde Wiley', Musée national du château de Malmaison, Rueil-Malmaison, France 'Kehinde Wiley: Rumors of War', Public Installation, Times Square Arts, New York, NY 'Tahiti – Kehinde Wiley', Galerie Templon, Paris, France 2018 'Kehinde Wiley: St. Louis', Saint Louis Art Museum, St. Louis, MO 2017 'Kehinde Wiley: In Search of the Miraculous', Stephen Friedman Gallery, London, UK'Kehinde Wiley: Trickster', Sean Kelly Gallery, New York, NY'Kehinde Wiley: A New Republic', Toledo Museum of Art (TMA), Toledo, OH 2016 'Kehinde Wiley: A New Republic', Virginia Museum of Fine Arts (VMFA), Richmond, VA 'Kehinde Wiley: A New Republic', Seattle Art Museum (SAM), Seattle, WA 2015 'Kehinde Wiley: A New Republic', Modern Art Museum of Fort Worth (MAMFW), Fort Worth, TX 'Kehinde Wiley: A New Republic', The Brooklyn Museum, Brooklyn, NY2014 'Kehinde Wiley: A New Republic', High Museum of Art, Atlanta, GA 2013 'Kehinde Wiley: Memling', Phoenix Art Museum, Phoenix, AZ 'Kehinde Wiley: The World Stage: Israel', Contemporary Jewish Museum, San Francisco, CA 2012 'Kehinde Wiley: The World Stage: France, 1880-1960', Galerie Daniel Templon, Paris, France 'Fresh Paint' (group exhibition), Stenersen Museum, Oslo, Norway 'Kehinde Wiley: An Economy of Grace', Sean Kelly Gallery, New York, NY 'Kehinde Wiley: The World Stage: Israel', The Jewish Museum, New York, NY 2011 'Kehinde Wiley: Selected Works', Savannah College of Art and Design (SCAD) Museum of Art, Savannah, GA '30 Americans' (group exhibition), Corcoran Gallery of Art, Washington, DC 'Kehinde Wiley: The World Stage: Israel', Roberts & Tilton, Los Angeles, CA '30 Americans' (group exhibition), North Carolina Museum of Art, Raleigh, NC 'Kehinde Wiley: Industry of the Ordinary', Rhona Hoffman Gallery, Chicago, IL 2010 'The Global Africa Project' (group exhibition), Museum of Arts and Design (MAD), New York, NY 'Kehinde Wiley: The World Stage: India - Sri Lanka', Rhona Hoffman Gallery, Chicago, IL 'Kehinde Wiley: Legends of Unity - World Cup 2010 / PUMA', Ullens Center for Contemporary Art (UCCA), Beijing, China 'Size DOES Matter' (group exhibition), FLAG Art Foundation, New York, NY 'Kehinde Wiley: Legends of Unity - World Cup 2010 / PUMA', Deitch Projects, New York, NY 'From Then to Now: Masterworks of Contemporary African-American Art' (group exhibition), Museum of Contemporary Art (MoCA) Cleveland, OH 'Pattern ID: Cultural Identity through Pattern and Dress ' (group exhibition), Akron Art Museum, Akron, OH 2009 'Kehinde Wiley: Black Light', Deitch Projects, New York, NY 'Kehinde Wiley: The World Stage: Brazil', Modern Art Museum, Rio de Jeneiro, Brazil 'Kehinde Wiley: The World Stage: Brazil', Roberts & Tilton, Los Angeles, CA 'Kehinde Wiley: The World Stage: Africa, Lagos ~ Dakar', Artpace, San Antonio, TX 2008 '30 Americans' (group exhibition), Rubell Family Collection, Miami, FL 'Kehinde Wiley: Down', Deitch Projects, New York, NY '21: Contemporary Art at the Brooklyn Museum' (group exhibition), Brooklyn Museum, New York, NY 'Kehinde Wiley: The World Stage: Africa, Lagos ~ Dakar', The Studio Museum in Harlem, New York, NY 'Focus: Kehinde Wiley', Modern Art Museum of Fort Worth (MAMFW), Ft. Worth, TX 'RECOGNIZE! Hip Hop and Contemporary Portraiture' (group exhibition), National Portrait Gallery, Washington, DC 2007 'New York: States of Mind' (group exhibition), Haus der Kulturen der Welt (HKW), Berlin, Germany 'Kehinde Wiley', Portland Art Museum, Portland, OR 'Kehinde Wiley: The World Stage: China', John Michael Kohler Arts Center, Sheboygan, WI 'CROSSING THE LINE: African American Artist in the Jacqueline Bradley and Clarence Otis, Jr. Collection' (group exhibition), Cornell Fine Arts Museum, Rollins College, Winter Park, FL 2006 'Kehinde Wiley: Columbus', Columbus Museum of Art, Columbus, OH 'Kehinde Wiley: Columbus', Roberts & Tilton, Los Angeles, CA 'Kehinde Wiley: Scenic', Rhona Hoffman Gallery, Chicago, IL 'Kehinde Wiley', Sorry We're Closed, Belgium, Brussels 2005 'Kehinde Wiley: Rumors of War', Deitch Projects, New York, NY 'Kehinde Wiley: White', Conner Contemporary, Washington, DC 'BOUND - Kehinde Wiley Paintings', Franklin Art Works, Minneapolis, MN 2004 'Passing/Posing: The Paintings of Kehinde Wiley', Brooklyn Museum of Art, Brooklyn, NY 'Kehinde Wiley: Easter Realness', Rhona Hoffman Gallery, Chicago, IL PLEASE SEE MY OTHER AUCTIONS BY CLICKING MY StoreICON ABOVE Pay me securely with any major credit card through PayPal!
Price: 175 USD
Location: Miami, Florida
End Time: 2025-01-13T17:33:54.000Z
Shipping Cost: N/A USD
Product Images
Item Specifics
All returns accepted: ReturnsNotAccepted
Origin: USA
Antique: No
Shape: Round
Occasion: All Occasions
Custom Bundle: No
MPN: N/A
Vintage: Yes
Item Condition: New
Style: Contemporary
Features: Artwork
Production Style: Art Pottery
Handmade: No
Culture: Contemporary
Primary Material: Ceramic, Porcelain
Pattern: Artwork
Character: Idrissa Ndiaye
Color: Multicolor
Item Diameter: 10.75 in
Material: Fine Porcelain, Porcelain
Exact Type: Plate
Franchise: Kehinde Wiley
Modified Item: No
Brand: ARTWARE Editions, New York
Type: Collector Plate
Product Type: Collector Plate
Brand, Artist: Kehinde Wiley for ARTWARE Editions
Era: 21st Century (2000-now)
Theme: Contemporary Art
Time Period Manufactured: 2015
Country/Region of Manufacture: United States
Production Technique: Pottery
Product Line: Kehinde Wiley