Description: Samuel CollectionSAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. NEW ITEMS ADDED DAILY. MUSEUM QUALITY ESTATE ITEMS. Overview: SOLD FOR RESTORATION. POOR CONDITION. NEEDS A LOT OF WORK BUT THE IMAGE IS STRONG AND MOST OF THE IMAGE IS THERE. PAPER IS VERY CRISPY. OIL ON PAPER. QUITE A FEW TEARS AND AREAS OF LOSS . SOME HOLES AND OTHER TEARS ON IMAGE. PROBABLY WILL NEED PAPER FILLED OR YOU CAN MOUNT THIS TO A CANVAS. NEW FRAME ADDED FOR PROTECTION. PAINTING NEEDS RESTORATION. MURAL STUDY BY FAMOUS AND IMPORTANT AMERICAN ARTIST. LOTS OF BIO CAN BE FOUND ONLINE WITH CURRENT AND FUTURE AUCTION RECORDS. SIGNED . PRICE IS BASED ON AGE, QUALITY, CONDITION AND WHAT I PAID TO OWN IT. Measurements: IMAGE SIZE 34 BY 41 INCHES. FRAMED 38 BY 45 INCHES JOSEPH LAMBERT CAIN (1904-2003)Born and raised in New Orleans, Joseph Cain studied at the Chicago Academy of Art and at the Art Students League in New York. Through the years he painted a variety of subjects, but one of his favorites was the street life of his native city. Representations of New Orleans provide the subject for many of his earliest paintings, as well as late works like Miss Willie's Revisited, which shows the "parlor" of one of the city's more famous bordellos. Other memories of New Orleans include two views of St. Louis #3, one of its historic cemeteries; House with Cornstalk Fence; Queen of the Mardi Gras; and Peep Show.In the 1930s, Cain's work became increasingly abstract. The apparent flatness of his compositions, together with the sense of movement achieved by the manipulation of overlapping color planes and perspective, are characteristics of a style described in 1939 as "decorative expressionism."Cain's paint is usually thickly applied, and while his dancers, harlequins and ladies of the evening owe their inspiration to Matisse and other modernists, as one critic observed, his work "has a fresh vision that cannot be clearly traced either to contemporary American or French schools. His world is never dirty, mean or gray, but it is always bright and luminous" (Stanley Lothrop, Boyer Galleries, New York, 1939). Thank you for viBiography from The Johnson CollectionJOSEPH LAMBERT CAIN (1904–2003)A painter, muralist, and art educator, Joseph Cain's work was consistently infused by the color and vibrancy of his native New Orleans, even as he pursued a career that took him far from home. Beginning at the age of sixteen, his educational journey led him first to the Art Institute of Chicago and then to the Art Students League in New York, where he was instructed by Kenneth Hayes Miller and Kimon Nicolaides. He later studied under the Abstract Expressionist Hans Hoffman. A 1929 Carnegie Fellowship funded a year's enrollment at the Sorbonne in Paris and travel throughout Europe; Cain also received multiple Tiffany Foundation Fellowships.Using thickly applied paint, layered color planes, and multiple perspectives, Cain created paintings, including streetscapes, marine scenes, and landscapes, which were sometimes categorized as "decorative expressionism" beginning in the late 1930s. In 1932, Cain's entry to the First Biennial Exhibition of Contemporary American Painting at the Whitney Museum of American Art hung in the exhibition's entry way; other works were shown at such prestigious venues as the Museum of Modern Art, American Art, Pennsylvania Academy of the Fine Arts, National Academy of Design, and Carnegie Institute. He also executed a monumental mural at New York State Training School where he was employed as a teacher. While living in New York during this period, Cain was an integral member of a contemporary art collective known as "The Group," whose participants included Milton Avery, George Biddle, Robert Gwathmey, Marsden Hartley, John Marin, and many other important modernists.In 1944, Cain joined the faculty at the University of Rhode Island, establishing and chairing the art department for over two decades. Cain continued to paint long past his retirement from teaching, often returning to New Orleans subject matter in canvases that capture the bright color and festive energy of his birthplace. Payment:· BUY IT NOW payment is DUE IMMEDIATELY THE SAMUELCOLLECTION I CONSIDER MYSELF AN ART PATRON. SEEKING OTHER PATRONS TO DO LONG TERM BUSINESS WITH. LIFETIME COLLECTOR/ARTIST/ ART AND ANTIQUES DEALER/ESTATE LIQUIDATOR TRAVIS SAMUEL. CALIFORNIA BASED. SAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALERS. NEW ITEMS DAILY. I BUY ESTATE COLLECTIONS. RANT PRICES ARE BASED ON AGE, QUALITY, AUCTION ANALYSIS, SUBJECT, CONDITION , OTHERS LIKE IT CURRENTLY FOR SALE, SHIPPING COSTS AND OTHER FACTORS. I CONSIDER HOW MUCH TIME EACH WORK OF ART TOOK TO MAKE. I MEASURE SKILL LEVEL. HOW LONG WOULD IT TAKE THE ARTIST TO MAKE IT. AND HOW MUCH TIME DID IT TAKE THE ARTIST TO GET THAT GOOD AT THEIR CRAFT. WHAT WOULD IT COST TO MAKE TODAY BY A PRO ARTIST ? THIS IS MY JOB AND A TRAVEL FAR TO GET EACH OF THESE THINGS. ALMOST NOWHERE TO BUY ITEMS LIKE THESE IN SAN DIEGO. NO SHOPS LEFT TO SHOP. I DO NOT AIM OR ASPIRE TO BE THE CHEAPEST ART DEALER IN THE HISTORY OF THIS BUSINESS. SOME ITEMS ARE OVERRICED BECAUSE I LOVE THEM. AND THAT IS THE COST TO PRY IT FROM MY HANDS. SOME ITEMS ARE UNDERCOST BECAUSE OF LACK OF RESEARCH. I AM A COLLECTOR. I BUY WHAT I THINK IS QUALITY AND TIMELESS. AUCTION RESULTS . I AM AWARE IF WHAT COULD HAVE BEEN BOUGHT....IN THE PAST. I ALSO UNDERSTAND IF THERE IS A SOLID CONSISTENCY TO AUCTION SALE. AUCTIONS RECORDS CAN MEAN SOMETHING OR NOTHING. BITCOIN ALSO ONCE WAS A DOLLAR. TODAY THIS ITEM IS FOR SALE AND ITS BEING OFFERED AND DISPLAYED CLEARLY. ALSO FREE SHIPPING IS CONSIDERED IN MY PRICE. RETURNS ARE ACCEPTED BY EBAY WITHIN 2 WEEKS. MORE THAN ONE RETURN MAY RESULTS IN PERMINENT BLOCK OF YOUR ACCOUNT. THIS CAN BE EASILY PREVENTED BY READING DESCRIPTIONS AND ASKING QUESTIONS IF YOU HAVE THEM. BE SURE YOU LOVE IT. RETURNS ARE FROWNED UPON. THEY ARE A WASTE OF TIME AND HIGH SHIPPING COSTS. MOST AVERAGE SIZE PACKAGES ARE 75-200 DOLLARS ONE WAY. LARGER PAINTINGS MAY COST ME 800 ONE WAY. I OFFER FREE SHIPPING IN THE U.S. I WRAP SAFE. SOMETIMES COLORS CAN DIFFER FROM YOUR SCREEN AND COLOR SETTINGS. EXPECT MILD DIFFERENCE . AS SHOWN MY FEEDBACK REPRESENTS SOLID BUSINESS. OVER 1 MILLION WORKS OF ART SOLD . ITEMS REPRESENTED TO THE BEST OF MY KNOWLEDGE. ITEMS CLEARLY SHOWN WITH ACCURATE PICTURES AND DESCRIPTION. RESTOCKING FEE A 30 PERCENT RESTOCKING FEE APPLISES TO ANY AND ALL RETURNS. IT IS NOT FREE FOR ME TO SHIP ITEMS. IT ALSO TAKES 10 MINUTES TO AN HOUR TO LOCATE EACH ITEM. THE RESTOCKING FEE IS A FAIR OUTCOME FOR A RETURNED ITEM. RETURNS CAN BE PREVENTED BY TAKING YOUR TIME WITH YOUR SHOPPING AND ASKING ANY QUESTIONS YOU MAY HAVE PRIOR TO MAKING AN OFFER. I RESPOND QUICKLY ACCOUNTS WILL BE BLOCKED FOR THE FOLLOWING REASONS.RUDE COMMENTS STORIES ON HOW YOU USED TO BUY SOMETHING CHEAPER IN THE PAST RETURNS UNPAID ITEMS WITH ME MULTIPLE BID RETRACTIONS FREQUENT UNNECESSARY COMMENTS. THIS IS MORE OF A BUSINESS THAN SOCIAL PLATFORM.
Price: 6750 USD
Location: San Diego, California
End Time: 2025-01-22T16:27:47.000Z
Shipping Cost: 0 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 14 Days
Refund will be given as: Money Back
Unit of Sale: Single-Piece Work
Size: Large
Signed: Yes
Material: Paper
Region of Origin: US
Framing: Matted & Framed
Subject: Community Life, Farming, Industrial, Inspirational, Landscape, Monument, Motivational, Seascape, Seasons, Still Life, USA
Type: Painting
Listed By: Dealer or Reseller
Original/Licensed Reproduction: Original
Theme: Americana, Art, Cities & Towns, Cultures & Ethnicities, People, Portrait
Style: Americana, Art Deco, Impressionism, Modernism
Features: Signed
Production Technique: Oil Painting
Country/Region of Manufacture: United States
Handmade: Yes
Time Period Produced: 1925-1949