Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great Orchestra Records by great conductors on 78 rpm recordsClick on this link to see more great Conductors and Orchestral Records! Samuel Barber FIRST RECORDING BY THE DEDICATEE ! Eugene Ormandy and the Philadelphia Orchstra recorded the piece right after the premiere in 1940 Samuel Barber: [First] Essay for Orchestra, Op. 12The Philadelphia OrchestraEugene Ormandy, conductorRecorded October 20, 1940, in the Academy of Music, Philadelphia, Pa., on Victor matrices CS-056573-1 and CS-056574-2. Issued in August, 1941, as Victor 18062. At the time of issue, Barber's Second Essay for Orchestra, Op. 17, was one year in the future.Sunday, October 20, 1940, was a busy day for Ormandy's Philadelphians: besides the Barber Essay, they recorded two symphonies (Harl McDonald's "Santa Fe Trail" and Hindemith's "Mathis der Maler"), three short works by Sibelius ("Finlandia", "The Swan of Tuonela" and "The Return of Lemmenkainen"), and, with soprano Dorothy Maynor, arias by Bach, Charpentier and Debussy. Part 1&2 Great Victor 12" 78 rpm record Condition: EXCELLENT MINUS scuffs, hint of greying does not sound, plays EXCEPTIONALLY QUIETA Superb COPY Samuel Barber's First Essay for Orchestra (1938), along with his extremely well-known Adagio for Strings of the same year, brought Barber worldwide recognition after being premiered by maestro Arturo Toscanini and the New York Symphony Orchestra on November 5, 1938. Toscanini was known for not championing the composers of the time or American composers and their works. Yet, in Barber, he heard music that matched the beauty and emotion of previous masters. Barber, along with Gian Carlo Menotti, a fellow composer and lifelong friend, visited Toscanini for the first time approximately five years before the famous premiere concert. Here, Toscanini informed Barber that he intended to conduct one of his works. In spring of 1938, Barber sent to Toscanini the score for the First Essay for Orchestra along with the Adagio for Strings, hoping that one of them would be chosen for performance. Within months, Toscanini returned the scores to Barber. Toscanini included no comments about the works or plans for performance. Barber was bothered by this and did not visit Toscanini that summer as scheduled. Menotti did visit, though, and here Toscanini informed him that he intended to conduct both of Barber's compositions. The form of this piece was inspired by the essay of the literary world. In the written essay, one main idea is presented at the beginning and then expanded upon. The brevity of the essay form and its focus upon a single idea attracted Barber. He first experimented with his derived essay form for music in his Three Essays for Piano (1926). The first section of the Essay for orchestra No. 1 has an elegiac character. The strings begin in a somber mood. The intensity increases toward a first climax and then descends to a desolate fanfare followed by a restatement of the first theme. A scherzo-like section follows in which the rhythm of the lower piano strings plays a prominent part. The tension mounts to reach an intense climax that winds down amidst murmurations of the piano. A new crescendo brings a powerful restatement of the initial theme. Then the music dies out to the lament of distant trumpets. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS - VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. 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Price: 19.99 USD
Location: San Francisco, California
End Time: 2024-12-06T23:40:47.000Z
Shipping Cost: 7.49 USD
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Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, Philadelphia Orchestra, Eugene Ormandy
Format: Record
Release Title: SAMUEL BARBER ESSAY FOR ORCHESTRA
Material: Shellac
Genre: Classical
Record Label: RCA Victor
Record Size: 12"
Style: Allemande, Ballet, Cantata, Caprice, Ceremonial, Character Piece, Concerto, Educational, Elegy, Fanfare, Fantasia, Film Score/Soundtrack, France & Belgium, German music, Instrumental, Italian Music, Military Music, North American Music, Northern European music, Overture, Prelude, Rhapsody, Rondo, Russian Music, Serenade, Sinfonia, Swiss Music, Symphonic, Symphony, Western European Music
Speed: 78 RPM
Catalog Number: 18053
Sub-Genre: Symphonic & Orchestral