Dawn Powell 1st Ed 1944 My Home is Far Away Comic Novel Hardcover w/Dustjacket

Description: Hardcover. 8vo. Published by Charles Scribner's Sons, New York. 1944. 313 pgs. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Offsetting present to the endpapers. Previous owner's name present to the FFEP. Text is clean and free of marks. Binding tight and solid. My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’ s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawdy, hilarious send-ups of Manhattan high and low life. She had begun to attain a reputation for high sophistication and nothing could be less “sophisticated” – in the glittering, all-knowing, furiously present-tense, big-city manner Powell had perfected – than My Home Is Far Away. Dawn Powell 1st Ed 1944 My Home is Far Away Comic Novel Hardcover w/Dustjacket Click images to enlarge Description Up For Sale Today is My Home is Far Away by Dawn Powell Hardcover. 8vo. Published by Charles Scribner's Sons, New York. 1944. 313 pgs. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Offsetting present to the endpapers. Previous owner's name present to the FFEP. Text is clean and free of marks. Binding tight and solid. My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’ s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawdy, hilarious send-ups of Manhattan high and low life. She had begun to attain a reputation for high sophistication and nothing could be less “sophisticated” – in the glittering, all-knowing, furiously present-tense, big-city manner Powell had perfected – than My Home Is Far Away. This was the month of cherries and peaches, of green apples beyond the grape arbor, of little dandelion ghosts in the grass, of sour grass and four-leaf clovers, of still dry heat holding the smell of nasturtiums and dying lilacs. This was the best month of all and the best day. It was not birthday, Easter, Christmas, or picnic, but all these things and something else, something wonderful, something utterly unknown. The two little girls in embroidered white Sunday dresses knew no way to express their secret joy but by whirling each other dizzily over the lawn crying, “We’re moving, we’re moving! We’re moving to London Junction!” My Home Is Far Away is one of the very few examples of a book written for adults, with an adult command of the language, that maintains the vantage point of a hungry, serious child throughout. It might be likened to a memoir that has been penned not with the usual tranquility of distance but rather with the sense that everything happening to the characters is happening right now, without any promise of eventual escape, without any assurance that childhood, too, shall pass away. FROM WIKIPEDIA: Dawn Powell (November 28, 1896 – November 14, 1965) was an American writer of novels and stories. She had a prodigious output, producing hundreds of short stories, ten plays, a dozen novels, and an extended diary starting in 1931. Her writings, however, never generated enough money to live off. Throughout her life, she supported herself with various jobs, including freelance writer, extra in silent films, Hollywood screenwriter, book reviewer, and radio personality. Her play Walking Down Broadway was filmed as Hello, Sister! (1933), co-written and co-directed by Erich von Stroheim. Her novel Whither was published in 1925, but she always described She Walks in Beauty (1928) as her first. Her favorite of her own novels, Dance Night, came out in 1930. The early work received uneven reviews, and none of it sold well. Her 1936 novel Turn, Magic Wheel, the first work that received both critical acclaim and reasonably good sales, marked a turn to social satire in a New York setting. In 1939, Scribner's became her publisher, where Maxwell Perkins was her editor. In 1942, Powell published her first commercially successful novel, A Time to Be Born, whose central figure—Amanda Keeler Evans, an egotistical hack writer whose work and media presence are bolstered by the assiduous promotion of her husband, the newspaper magnate Julian Evans—is loosely modelled on Clare Boothe Luce, wife of Henry Luce. A musical adaptation of the novel, written by Tajlei Levis and John Mercurio, was staged in 2006 in New York City. After the war, Powell's output slowed down, but it included some of her most acclaimed New York novels, including The Locusts Have No King (1948), a portrait of the disintegration and eventual rekindling of a love affair against the background of the city and the onset of the Cold War. The novel ends with news of the Bikini Atoll atom-bomb tests. Two late novels show Powell's interest in the New York art world of the 1950s: The Wicked Pavilion (1954), an ensemble portrait of the characters orbiting around the Cafe Julien (a fictionalized Hotel Brevoort)[4] and a vanished or deceased painter named Marius The Golden Spur (1962), set in a fictionalized Cedar Tavern, in which a young man's search for the identity and history of his dead father brings him to New York, where he becomes involved with the circle around a charismatic painter, Hugow When Powell died, virtually all of her novels were out of print. Her posthumous champions included Matthew Josephson, Gore Vidal,[6] and especially Tim Page, who joined forces with her family to free her manuscripts, diaries, and copyrights from her original executrix. The result was a revival in the late 1990s, when most of Powell's books were made available once more. Her papers are now at the Columbia University Rare Books and Manuscripts Library in her beloved New York. Powell is referenced in the Gilmore Girls episode "Help Wanted", in which Rory expresses sadness over her relative obscurity. She is also referenced in the novel A Collection of Beauties at the Height of Their Popularity by Whitney Otto. She is also referenced by the novelist Alan Furst in his 2014 work 'Midnight in Europe.' OUR MISSION STATEMENT: Our goal is to provide the best books for the lowest prices. We understand that you have more choices than ever to buy books, so we strive to provide the best service, accurate descriptions, the cheapest shipping and the best customer service in the realm of bookselling. Thank you for visiting this listing and we hope to see you again soon! 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Price: 250 USD

Location: Charlottesville, Virginia

End Time: 2024-10-28T01:56:33.000Z

Shipping Cost: 5.99 USD