Coming Through Slaughter by Michael Ondaatje (English) Paperback Book

Description: Coming Through Slaughter by Michael Ondaatje At the turn of the century, the Storyville district of New Orleans had some 2,000 prostitutes, 70 professional gamblers, and 30 piano players. It had only one man who played the cornet like Buddy Bolden. By day he cut hair and purveyed gossip at N. Joseph's Shaving Parlor. At night he played jazz as though unleashing wild animals in a crowded room. At the age of thirty-one, Buddy Bolden went mad. From these sparse facts Michael Ondaatje has created a haunting, lushly atmospheric novel about one of jazz's legendary pioneers and martyrs. Obsessed with death, addicted to whiskey, and self-destructively in love with two women, Buddy Bolden embodies all the dire claims that music places on its acolytes. And as told in Coming Through Slaughter, his story is as beautiful and chilling as a New Orleans funeral procession, where even the mourners dance. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players—some say the originator of jazz—who was, in any case, the genius, the guiding spirit, and the king of that time and place.In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel—one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either "The English Patient" or "In the Skin of a Lion," it is a fitting addition to the renowned Ondaatje "oeuvre." Author Biography Michael Ondaatje is a novelist and poet perhaps best known for his Booker Prize winning novel adapted into an Academy Award-winning film, The English Patient. His other books include Secular Love, In the Skin of a Lion, Running in the Family, and The Collected Works of Billy the Kid. He edited From Ink Lake, a selection of Canadian stories, and has won several Governor Generals Award for both fiction and poetry. Review Quote "Really a remarkable piece of writing. . . . Brilliantly wrought." --Ken Adachi, Toronto Star "A spectacular breakthrough into a new prose form." --Peter Newman , Globe and Mail "Anybody who cares about good writing . . . should get this book and luxuriate in it." -- Minneapolis Tribune "One of the most innovative and liberating writers of our time." --Geoff Dyer, The Observer "A beautifully detailed story, perhaps the finest jazz novel ever written." -- The Sunday Times " Coming Through Slaughter . . . is so stuffed full of the dolour and lust that both buoys and blemishes a life, it reads like a story dying to be told." -- Books in Canada Description for Reading Group Guide The questions, discussion topics, and author biography that follow are intended to enhance your groups reading of Michael Ondaatjes Coming Through Slaughter . We hope they will give you a number of interesting angles from which to consider this lively, haunting and seductive novel. Discussion Question for Reading Group Guide 1. Although he is one of jazz musics legends and the finest cornet player of his time, little is actually known about Charles "Buddy" Bolden or his life. Why do you think Ondaatje chose Bolden as his protagonist? What does the author mean when he says, "Did not want to pose in your accent but think in your brain and body--"? (p. 135) 2. The story is told in many fragments and many voices: Actual accounts of Boldens life and performances, oral history, lists of songs, biographical facts, narrative, dialogue, interior monologues, psychiatric reports, bits of poetry and lyrics, the authors own voice. How does Ondaatjes arrangement of the different voices affect the way you perceive Boldens life? Why do you think he chose this way of telling his story? 3. New Orleans and vicinity at the turn of the century is the setting for the novel. Consider the places where the action occurs: N. Josephs Shaving Parlor, the river, Shell Beach, the Brewitts, Webbs cottage, the streets of Storyville, Bellocqs studio, Boldens home with Nora and the children, the mental hospital. Consider some of the metaphorical or symbolic aspects of these settings. What do they reveal about Boldens journey and his inner life? 4. Boldens life "had a fine and precise balance to it, with a careful allotment of hours." (p. 7) He was barber, publisher of The Cricket, cornet player, good husband and father, and an infamous man about town. Do you agree that his life was balanced? What upset the balance? 5. "This is the power I live in-- They trust me with the cold razor at the vein under their ears. Dreams of the neck. Gushing onto the floor and my white apron." (p. 43) Does Bolden wield this power, or is he, like his audience, under its sway? 6. "Robin and Jaelin and me. I saw an awful thing among us. And that was passion could twist around and choose someone else just like that--. We had no order among ourselves. I wouldnt let myself control the world of my music because I had no power over anything else that went on around me, in or around my body." (pp. 97-98) Consider the complex relationship between power, control, fear, and desire in the novel. What role do each of these play in Buddys ensuing madness? 7. "He watched himself go back to the Brewitts and ask if he could stay with them. The silent ones. Post music. After ambition." (p. 34) Do you see Boldens move to the Brewitts as positive or negative? "The silence of Jaelin Brewitt understood them all." (p. 62) How do Jaelin Brewitt and Bolden differ? What do they have in common? Does Bolden admire Jaelin? 8. "Then Bolden did a merciless thing. For the first time he used his cornet as jewelry. After the couple had closed their door, he slipped in a mouthpiece--. With every sweet stylised gesture that he knew no one could see he aimed for the gentlest music he knew--Music for the three of them, the other two in bed, not saying a word." (p. 28) What does it mean that he used his cornet as jewelry, and why was it merciless? 9. "The Pickett incident had made him unpopular. Buddy didnt leave at the peak of his glory you know." (p.73) Explore what happens to Bolden during the Pickett incident. Is it a turning point for Bolden? 10. Water in all its forms--liquid, rain, mist, ice--is a recurring image in the novel. Think of the ice and the mist on the windows of N. Josephs Shaving Parlor and what happens after the fight with Tom Pickett. Or of Boldens departure by boat. Or how, at the Brewitts, Bolden immerses himself in the bath at the beginning and end of his stays. What does the water imagery tell us about what is happening to him? Is water a safe element for Bolden? 11. "E.J. Bellocqs photographs--were an inspiration of mood and character. Private and fictional magnets drew him and Bolden together." (from the authors acknowledgements, p. 162) Bolden says of Bellocq, "He was the first person I met who had absolutely no interest in my music." (p. 55) Why was Bolden attracted to Bellocq? Why does Nora blame Bellocq for what happens to Bolden? Do you think shes right? 12. What does Bolden mean when he says, "We were furnished rooms and Bellocq was a window looking out"? (p. 56) Why does Bolden want to break windows? And why does a "wall of wire barrier glass" go up between Robin and Bolden after Webb comes to get him "with all his stories about me and Nora, about Gravier and Phillip Street"? (p. 83) 13. Noras mothers favourite Audubon birds: the Purple Gallinule with "thoughts of self-destruction"; the Prophet Ibis, "obviously paranoid"; the Cerulean Wood Warbler, "drunk on Spanish Mulberry"; and Anhinga, the Water Turkey which "would hide by submerging--forgetting to breathe, and so drown." (pp. 19-20) Discuss these birds in light of Boldens personality. 14. The novel is divided into three main parts. Explore how the style of each section reflects the content. Does each section have something different to convey? Could the novel be compared to a musical composition? 15. "That is the first time I ever heard hymns and blues cooked up together-- The picture kept changing with the music. It sounded like a battle between the Good Lord and the Devil--. If Bolden stops on the hymn, the Good Lord wins. If he stops on the blues, the Devil wins." (p. 78) What does this tell us about Bolden and his music? 16. Think of Boldens final performance in the parade. Who is the woman who dances before him? What happens to him during his final performance, and why, when its over, does he say to himself, "What I wanted." (p. 132) 17. "What he did too little of was sleep and what he did too much of was drink and many interpreted his later crack-up as a morality tale of a talent that debauched itself." (p. 7) Was Boldens descent into madness as simple as that? Does the novel help us understand what happened to him? 18. What is the "slaughter" referred to in the books title? 19. Boldens return to New Orleans: "on the third day old friends came in, shy, then too loud as they entertained him with the sort of stories he loved to hear, stories he could predict now. He sat back with just his face laughing at the jokes." (p. 119) What has changed in Bolden? Is his decision to return and play in the parade life-affirming? 20. "While I have used real names and characters and historical situations--There have been some date changes, some characters brought together, and some facts--expanded or polished to suit the truth of fiction." (from the credits and acknowledgements, p. (163) What does the author mean by the truth of fiction? Can you think of other novels, by Ondaatje or others, that have borrowed from historical record to tell a story? Details ISBN0679767851 Author Michael Ondaatje Short Title COMING THROUGH SLAUGHTER Pages 160 Language English ISBN-10 0679767851 ISBN-13 9780679767855 Media Book Format Paperback DEWEY FIC Illustrations Yes Year 1996 Publication Date 1996-03-31 Series Vintage International (Paperback) Residence Toronto, -CN Birth 1943 Publisher Vintage Imprint Vintage DOI 10.1604/9780679767855 Audience General/Trade UK Release Date 1996-03-19 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:2621552;

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