Description: A fine Mid-Century modern hand signed color serigraph by noted American abstract expressionist printmaker Seong Moy (1921-2013). This 1960s era print is titled, "The Jester" and the image measures 7 1/4 × 8 3/4 inches, sheet size is approx. 9 1/4 x 10 1/2 inches. The lower margin is signed and titled in pencil by the artist and it is printed on quality wove art paper. The reverse shows some ink bleed through from the printing process. The piece is in excellent condition and will frame up beautifully. Seong Moy (1921-2013) was an American painter and printmaker. Moy was born in a small town outside of Canton, China; he emigrated to the United States at the age of 10 in 1931, and joined other members of his family who had settled in St. Paul, Minnesota. In 1934, Moy was introduced to art classes at the WPA Federal Art Project School through a friend. For the next few years, Moy studied art first at the Federal Art Project, and later at the St. Paul School of Art under Cameron Booth, and the WPA Graphic Workshop at the Walker Art Center in Minneapolis, MN. Advisors recognized his talent and permitted him to take more classes while maintaining a job. In 1941 he moved to New York City where he was awarded a scholarship to study at the Art Students League of New York and the Hoffman School of Art. This lasted until the fall of 1942, when he enlisted with the United States Army Air Forces, serving in the China-India-Burma Theater as an aerial reconnaissance photographer with the 14th Air Force, the "Flying Tigers". After the war Moy married and brought his wife Sui Yung to New York. He returned to the Art Students League on the G.I. Bill and re-established his relationship with Cameron Booth, who was now teaching in New York. Moy experimented with printmaking at the Atelier 17 and Robert Blackburn Printmaking Workshop in New York. In 1955 Moy won a Guggenheim Fellowship. His woodcuts from this time are notable in their use of subject matter from Chinese classics, combined with the formal techniques of Abstract Expressionism. For example, his woodcut Inscription of T'Chao Pae #II (1952) explores the potential of archaic Chinese calligraphy, illustrating the artist's aim, in his own words, to "recreate in the abstract idiom of contemporary time some of the ideas of ancient Chinese art forms." His work can be found in the permanent collections of a number of museums in the United States, including the Brooklyn Museum, the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Indianapolis Museum of Art, the Vero Beach Museum of Art, the University of Michigan Museum of Art, the Philadelphia Museum of Art, and the Smithsonian American Art Museum.
Price: 165 USD
Location: Spring Hill, Florida
End Time: 2024-08-21T00:51:14.000Z
Shipping Cost: 0 USD
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Item Specifics
All returns accepted: ReturnsNotAccepted
Unit of Sale: Single Piece
Artist: Seong Moy
Size: Medium (up to 36in.)
Signed: Yes
Period: Post-War (1940-1970)
Material: Ink, Paper
Region of Origin: New York, USA
Original/Licensed Reprint: Limited Edition Print
Framing: Unframed
Subject: Non-Representational
Type: Print
Year of Production: c1960s
Style: Abstract, Expressionism
Theme: Abstraction, Art
Features: Signed, Limited Edition, Numbered
Production Technique: Screen Printing
Country/Region of Manufacture: United States
Culture: American
Handmade: Yes
Time Period Produced: 1960-1969