Description: Chris Ofili: Paradise Lost by Joshua Jelly-Schapiro In 2017, Chris Ofili photographed chain-link fences throughout the island of Trinidad in order to explore notions of beauty, community, liberation, and constraint. This series of arresting images-"pocket photography," as described by the artist-is the first body of photography ever published by Ofili. Through these entrancing black-and-white photographs, the artist engages with the diverse sources that inspired his critically acclaimed Paradise Lost exhibition at David Zwirner, New York in the fall of 2017.Since moving to Trinidad in 2005, Ofili has continued to engage with the surrounding environment and culture, which has found its way into many of his colorful paintings. In these deceivingly simple black-and- white photographs, he captures a wide cross section of Trinidad as he highlights the encounter between natural and man-made settings, and the different aesthetic possibilities each brings out in the other. In focusing on a ubiquitous and seemingly unremarkable piece of equipment, Ofili is able to comment on our interactions with space and each other, using a near- universal subject as the fence slices the sky, melds into a tree, frames a basketball game, or reveals an opening.In a new essay by the critically acclaimed author of Island People: The Caribbean and the World (2016), Joshua Jelly-Schapiro charts the history of chain-link fences; focusing on a selection of Ofilis photographs, he then begins to explore what this imagery tells us about Trinidad in particular and the Caribbean as a whole. These two essays-one visual, the other literary-open onto a whole new set of interpretive possibilities for this groundbreaking artist. FORMAT Paperback LANGUAGE English CONDITION Brand New Author Biography Born in 1968 in Manchester, England, Chris Ofili received his BFA from the Chelsea School of Art, London in 1991 and his MFA from the Royal College of Art, London in 1993. In 2005, the artist joined David Zwirner, where he has had two solo exhibitions at the gallery in New York. Ofili rose to prominence in the 1990s for his complex and playful multilayered paintings, which he bedecked with a signature blend of resin, glitter, collage, and, often, elephant dung. His recent works-vibrant, symbolic, and frequently mysterious-draw upon the lush landscapes and local traditions of the island of Trinidad. Employing a diverse range of aesthetic and cultural sources, including, among others, Zimbabwean cave paintings, blaxploitation films, Italian soccer player Mario Balotelli, and modernist painting, Ofilis work investigates the intersection of passion, identity, and representation. Joshua Jelly-Schapiro, a geographer and writer, is the author of Island People (2016) and the co-editor of Nonstop Metropolis: A New York City Atlas (2016). His work has appeared in The New York Review of Books, The New Yorker, Harpers, Artforum, and The Nation, among many other publications. He teaches at New York University and lives in Manhattan, but spends as much time as possible on other islands. Review "For me Paradise Lost is Ofili creating his own conceptual, eroticized, blacker, and less glowingly Buddhist Rothko Chapel."--Jerry Saltz "New York Magazine" Promotional In 2017, Chris Ofili photographed chain-link fences throughout the island of Trinidad in order to explore notions of beauty, community, liberation, and constraint. This series of arresting images—"pocket photography," as described by the artist—is the first body of photography ever published by Ofili. Long Description In 2017, Chris Ofili photographed chain-link fences throughout the island of Trinidad in order to explore notions of beauty, community, liberation and constraint. This series of arresting images--"pocket photography," as described by the artist--is the first body of photography ever published by Ofili. Through these entrancing black-and-white photographs, the artist engages with the diverse sources that inspired his critically acclaimed Paradise Lost exhibition at David Zwirner, New York, in fall 2017. Since moving to Trinidad in 2005, Ofili has continued to engage with its natural setting. In these photographs, Ofilis lens captures a wide cross section of Trinidad--the encounter between the natural and urban settings on the island, and the aesthetic possibilities each brings out in the other. In a new essay, Joshua Jelly-Schapiro, the critically acclaimed author of Island People: The Caribbean and the World , charts the history of chain-link fences, and explores what this imagery tells us about Trinidad in particular and the Caribbean as a whole. Review Quote "This wunderkind painters richly detailed works, many of which use unconventional materials, from glitter to elephant dung, feel vital and alive." Details ISBN1941701825 Pages 96 Publisher David Zwirner Year 2018 ISBN-10 1941701825 ISBN-13 9781941701829 Media Book Imprint David Zwirner Place of Publication NY Country of Publication United States Format Paperback Publication Date 2018-09-06 Language English UK Release Date 2018-09-06 NZ Release Date 2018-09-06 US Release Date 2018-09-06 Illustrations 50 Illustrations, black and white Author Joshua Jelly-Schapiro Audience General AU Release Date 2018-11-30 We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:151540968;
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ISBN-13: 9781941701829
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Book Title: Chris Ofili: Paradise Lost
Format: Paperback
Language: English
Item Height: 195mm
Item Width: 155mm
Publisher: David Zwirner
Publication Year: 2018
Author: Not Available
Item Weight: 270g
Number of Pages: 96 Pages