Description: Designed as a comprehensive interface for modern studios and live rigs, the Antelope Audio Goliath is packed with cutting-edge features and extensive connectivity. Equipped with an onboard Field Programmable Gate Array (FPGA) latency-free modeling engine powering an arsenal of effects, including EQ, compression, amp simulations, and more, the Goliath Thunderbolt/USB interface is an amazingly complete audio device. Featuring 16 mic preamps and 36 x 32 analog I/O, Goliath offers the flexibility of 64 channels via Thunderbolt, multiple digital formats (AES, 2 x MADI, S/PDIF, and ADAT), four line/instrument inputs, two headphone outputs, two Reamp outs, and stereo monitor outputs including a mastering-grade DAC with 129dB dynamic range. Modeled Vintage EQs, Compressors, and More Onboard Hardware-based modeling of classic gear Antelope Audio's FPGA technology means Goliath provides near-zero latency performance and also powers the FPGA effects suite with digital re-creations of beloved classic hardware processors. FPGA enables effects to respond more like hardware compared with many other plug-ins thanks to this powerful processing platform. Authentic vintage models Antelope's included FPGA software suite delivers spot-on emulations of vintage processors allowing you to sweeten tracks with Pultec EQ emulations, make vocals shine with the 1073 EQ model designed in partnership with BAE, add life to drums and guitars with the VEQ-55A plug-in, and utilize vintage and contemporary guitar amp and cabinet simulations to create larger-than-life tones. All of these effects processors can be instantiated on any input, output, or DAW track, making Goliath a powerful virtual effects rack. Antelope's world-class reverb AuraVerb is an original reverb processor designed by Antelope's top programmers and is included as part of the Antelope Audio FPGA suite. Because it runs in real time on Antelope's Modeling Engine, you can use it for tracking as well as mixdown with virtually no latency. More models are on the way The EQs, compressors, and effects in the Antelope FPGA suite are just the beginning. Antelope's engineers are continuously working on creating new models of classic vintage gear, and you'll be able to add them to your software suite as they become available. Compressors PowerGate Tubechild670 Grove Hill Liverpool BA-6A SMT-100A FET-A78 ALT-436C Stay-Levin VCA160 Tube176 X903 Gyraf Gyratec X FET-A76 Antelope FeedForward Compressor EQs VEQ-55b VEQ-STU 089 VEQ-STU 169 VEQ-STU 900 VEQ HA32C BAE 1023 BAE 1084 NEU-W492 NEU-W495 NEU-PEV VEQ-4K Series VEQ-4K Black VEQ-4K Brown VEQ-4K Pink VEQ-4K Orange BAE-1073 VEQ-HLF VEQ-1A VMEQ-5 VEQ-55A Lang PEQ2 UK-69 Parametric EQ Guitar Classics Burnsphere (DE) Marcus II (US) Overange 120 (UK) Tweed Deluxe TOP30 DARKFACE MODERN PLEXI 59 ROCK 75 ROCK 22.10 Reverb AuraVerb Comprehensive Connectivity Extensive I/O With an incredibly wide range of input and output options, the Antelope Audio Goliath is ready for most any recording and live sound applications. With 36 analog inputs and 32 analog outputs, including 16 great-sounding Class A mic preamps, the Goliath can handle your most demanding projects. Surround sound can be monitored with volume control via outputs 1-8 on the rear panel D-sub connector. Thunderbolt, USB, MADI, and more The Antelope Audio Goliath utilizes Thunderbolt or USB to connect with Mac and Windows computers. You have a ton of flexibility to connect with multiple digital formats, including MADI, ADAT, AES, and S/PDIF. Acclaimed clocking and conversion technology Antelope's 64-bit Acoustically Focused Clocking (AFC) jitter-management technology, used in top mastering facilities worldwide, delivers some of the most analog-sounding audio conversion we've heard here at Sweetwater. Expect vast stereo imaging, wide and balanced frequency response, and an uncanny sense of depth and dimension. Everything You Need for an Efficient Workflow Ultra-low latency Thunderbolt's unmatched round-trip speed reduces Goliath's latency to imperceptible amounts, even when using Antelope's advanced effects processing on multiple inputs and outputs. The result is a near-analog recording experience for both the engineer and the artist. Advanced remote apps Apps for Mac, Windows, iOS, and Android control Antelope Audio interfaces remotely from any device on your network. You'll have full control over Goliath's audio routing, built-in FPGA processing, input/output metering, and more. Plus, you can run the app simultaneously on multiple devices/operating systems (PC, Mac, iOS, Android) and have them all control one interface at the same time. Touchscreen display plus dedicated controls Goliath's color touchscreen display is pleasingly responsive and provides visual feedback in a clear and concise manner. And because Antelope Audio knows that some things are still best controlled by real knobs and switches, Goliath features dedicated knobs and switches for input gain levels, monitor muting, and more. Ready for Guitars, Drums, and Practically Any Other Application Capture epic guitar tones, direct Goliath's clean front end with zero-latency monitoring and Overloud amp simulations give guitar and bass players access to great recorded tones without requiring an amp and mic. If you decide later that you want to mic up a real amplifier, Goliath's two transformer-based Reamp outputs make it easy to run direct tracks from your DAW to a guitar amp without requiring additional reamping devices. Enough preamps to track a full band A full console's worth of 16 mic preamps and other inputs equip Goliath for real-world recording applications. It's the ideal interface for tracking high channel counts without requiring multiple racks full of preamps and processors. Impressively rugged build quality As with all Antelope gear, the company's usual tour-grade build quality is evident throughout Goliath's rackmount chassis. Antelope Audio Goliath Features: Pro Guitar Interface A clean front end with zero-latency monitoring and Overloud amp modeling give guitar and bass players access to great recorded tones without the amp and the mic. Most Mic/Line Channels A full console's worth of mic preamps and inputs equip Antelope Audio consoles for real-world recording applications: drums, full bands/orchestras, etc. Lowest Latency Thunderbolt's unmatched round-trip speed reduces latency to imperceptible amounts. The result is a near-analog recording experience for both the producer and the artist. Advanced Remote Apps Apps for Mac, Windows, iOS, and Android control Antelope Audio interfaces remotely from any device on your network. World-class Clocking Any product worthy of the Antelope Audio name must have exceptional clocking. Extremely low jitter gives this unit Antelope's vivid depth and three-dimensionality. Realistic Vintage Effects Hardware-based Pultec-style EQ and AuraVerb reverb are just some of the effects that come standard in Antelope's included FPGA suite. 36 analog inputs; 32 analog outputs FPGA latency-free modeling engine powers vintage-modeled EQs, compressors, reverbs, and more 16 mic preamps 64-bit Acoustically Focused Clocking Cutting-edge monitor output DACs with 129dB dynamic range Touchscreen display Talkback 16 AES ins/outs 2 MADI ins/outs 2 ADAT ins/outs S/PDIF I/O 2 headphone outputs 2 Reamp outputs Thunderbolt/USB connectivity Remote apps for Mac and PC
Price: 3500 USD
Location: Long Island City, New York
End Time: 2024-10-16T03:24:51.000Z
Shipping Cost: N/A USD
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Item Specifics
All returns accepted: ReturnsNotAccepted
Brand: Antelope Audio
Number of Mic Inputs: 16
Type: Thunderbolt Audio Interface/USB Madi
Number of Channels: 64
Input/Output Ports: Thunderbolt Interface, USB Interface, S/PDIF RCA In, ADAT In, ADAT Lightpipe In, ADAT Lightpipe Out, AES/EBU BNC In, AES/EBU BNC Out, AES/EBU XLR In, AES/EBU XLR Out, Analog In, Analog Out, Headphone TRS 1/4" Out, World Clock I/O, XLR In, XLR Out, TRS 6.35 mm (1/4") In, TRS 6.35 mm (1/4") Out, S/PDIF RCA Out, Analog XLR In, Analog XLR Out
Number of Line Inputs: 16
