AMERICAN ARTIST July 1975 George Warren Booth Robert Gill Melvin C. Warren

Description: SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!* With all the great features of the day, this makes a great birthday gift, or anniversary present! Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED. TITLE: AMERICAN ARTIST Magazine [Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!] ISSUE DATE: JULY 1975; VOLUME 39; ISSUE 396 CONDITION: Standard sized magazine, Approx 8½" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo) IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 COVER: Top left, detail from Solitude, by Fremont Ellis, 1940, oil, 25 x 30, private Collection; right, detail from The Horses Are on the Track, by George Warren Booth, 1972, acrylic on watercolor paper, 20 x 26; bottom left, Horse Calling, by Maxine Kim Stussy, 1972, sculpture in wood and sawdust, 30" high; right, detail from Remnants of the Herd, by Melvin C. Warren, 1974, oil, 30 x 60, collection Robert K. Hillin. FREMONT ELLIS: AMERICAN IMPRESSIONIST by Barbara Whipple. Early in the 20th century, painters flocked to New Mexico, establishing art colonies in Taos and Santa Fe. How did this artist, who arrived in Santa Fe in 1919 and continues to paint there today, help establish the second wave? Who were Los Cincos Pintores?. ROBERT GILL'S IMAGINARY PORTRAITS by Donald Holden. This artist started with the same bright colors everyone else did, but he wound up with haunting tonal portraits that appear to recapture a lost world: his tragic view of humanity. GEORGE WARREN BOOTH: THE THOROUGHBRED SCENE by Linette Albert. The excitement surrounding the world of thoroughbred racing is an inspiration to George Warren Booth. He describes his methods of painting this elusive, spectacular subject. MELVIN C. WARREN: PAINTING THE WEST, YESTERDAY AND TODAY by John Diffily. Judged one of the ten best Western artists last year, this painter chooses his subject matter from the working life of today's cowboys, ranchers, and rodeo performers, the West of history, and his own Texas ranch as well. THE WATERCOLOR PAGE: LAWRENCE GOLDSMITH. "In other media a painter may hide his emotions, but he cannot do so with watercolor. On watercolor paper, he stands naked," claims this artist whose concern for motif--his personal declaration--gives his work an ab- stract quality. THE MANY FACES OF MAXINE KIM STUSSY by Kathleen Reinoehl. Concrete, nails, carved redwood, bronze, chrome assemblage, these are only a few of the materials used by California sculptor Stussy. How does she do it? What techniques does she use?. HOW TO PHOTOGRAPH YOUR ART by Herbert Keppler. Which camera should I use? How do I light a painting so that the impasto doesn't pick up reflections? These and other questions are answered in this article, previously published, updated especially for this issue. TECHNICAL PAGE by Ralph Mayer. PROFESSIONAL PAGE by Betty Chamberlain. FOOTNOTES. LETTERS TO THE EDITOR. QUICK TIPS. BULLETIN BOARD. ART BOOKS. ART MART. ______ Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED.

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