Description: 20TH CENTURY BENIN KINGDOM BRONZE SCULPTURE. Iyoba Idia In 1550, Iyoba Idia died and left Esigie devastated but not without the support of Elaba, Esigie favourite's wife whom she had specially groomed to fill her space.The kingdom of Benin (in present-day Nigeria) was plunged into a state of turmoil at the end of the fifteenth century when the oba (king) Ozolua died and left two powerful sons to dispute succession. His son Esigie controlled Benin City, while another son, Arhuaran, was based in the equally important city of Udo about twenty miles away. The ensuing civil war severely compromised Benins status as a regional power and undermined Benin Citys place at the political and cultural center of the kingdom. Exploiting this weakness, the neighboring Igala peoples sent warriors across the Benue River to wrest control of Benins northern territories. Esigie ultimately defeated his brother and conquered the Igala, reestablishing the unity and military strength of the kingdom. His mother Idia received much of the credit for these victories as her political counsel, together with her mystical powers and medicinal knowledge, were viewed as critical elements of Esigies success on the battlefield. To reward and honor her, Esigie created a new position within the court called the iyoba, or queen mother, which gave her significant political privileges, including a separate residence with its own staff. As mother of the king, Idia and later iyobas wielded considerable power. Until recent times, the queen mother, who bore the obas first son, had no other children and devoted her life to raising the future ruler of the kingdom, a role she was destined to play even before her own birth. Queen mothers were therefore viewed as instrumental to the protection and well-being of the oba and, by extension, the kingdom. Indeed, obas wore carved ivory pendant masks representing the iyoba during ceremonies designed to rid the kingdom of malevolent spiritual forces. An especially fine example of such masks in the Metropolitan Museums collection dates from the sixteenth century and is believed to depict Idia herself (1978.412.323). Two vertical bars of inlaid iron between the eyes allude to medicine-filled incisions that were one source of Idias metaphysical power. Within the court, the queen mothers political status was equal to that of a senior chief, and she enjoyed the right to commission precious works of art for personal and devotional use. Images of the iyoba found on the cast brass objects with which she was associated, such as ikegobo (altars to the hand) (1979.206.218) and urhoto (rectangular altarpieces) (1991.17.111), portray her in a shirt of coral beads flanked by attendants bearing symbols of political and spiritual power. These attendants, also depicted in carved ivory (1978.412.302), were women under the tutelage of the iyoba destined for marriage to her son, the future oba. As with ancestral obas, deceased iyobas were venerated with cast-brass memorial heads (1977.187.36) fitted with carved ivory tusks and displayed on royal altars.
Price: 6500 USD
Location: Upland, California
End Time: 2025-01-08T19:43:17.000Z
Shipping Cost: 300 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Country/Region of Manufacture: Benin
