1925 LIFE SAVING SERVICE SHIPWRECK COAST GUARD ANTON O FISCHER ART PRINT FC3307

Description: 1925 LIFE SAVING SERVICE SHIPWRECK COAST GUARD ANTON O FISCHER ART PRINT FC3307 DATE OF THIS ** ORIGINAL ** ITEM: 1925THIS IS A TWO-PAGE FOLDED INSERT PRINT FROM THE CENTER OF AN ORIGINAL LIFE MAGAZINE. THE CENTERFOLD MAY SHOW SOME PIN HOLES / WEAR FROM THE BINDING, BUT A GOOD PAPER CONSERVATOR CAN EASILY REPAIR THIS AND MAKE IT PRESENTABLE FOR FRAMING. PLEASE LOOK OVER THE ITEM CAREFULLY FOR SIZE AND CONDITION! ILLUSTRATOR/ARTIST: Anton Otto Fischer (February 23, 1882 – March 26, 1962) was a German-born American illustrator for the Saturday Evening Post. Born in Germany and orphaned at any early age, he ran away at the age of 15 to escape being forced into priesthood.[1] He came to America as a deck hand on a German vessel. He sacrificed two months’ pay to obtain his freedom and then went on to sail on American ships for three years. For a fourteen-month period in 1905–1906, he worked as a model and general handyman for artist Arthur Burdette Frost. He went to Paris in October 1906 and studied for two years with Jean Paul Laurens at the Academie Julian, spending summers painting landscapes in Normandy. Fischer returned to New York City in January 1908. After being influenced by Howard Pyle, he moved to Wilmington, Delaware where he established a studio at 1110 Franklin Street. Pyle helped him transform his firsthand knowledge into pictorial drama, but had little success in enlivening his lead-colored palette.[2] He freelanced in "subject pictures," or illustrations telling a human interest story that were in popular magazines of the day. During World War II he was made the artist laureate of the United States Coast Guard. Fischer married Mary Ellen ("May") Sigsbee (1877–1960) following her divorce from fellow artist William Balfour Ker (1877–1918). Sigsbee, Balfour Ker and Fischer were all artist and former students of Howard Pyle. After marriage, he adopted his wife's son from her first marriage, David (1906–1922). They first lived in Bushnellsville, New York before moving to a house near the intersection of Elmendorf Street and Ten Broeck Avenue in nearby Kingston. The house still stands today and has a large north facing window that gave Fischer the light he needed to paint. In 1914, the couple had a child of their own, Katrina Sigsbee Fischer (1914–1998). The family eventually settled into a house off Glasco Turnpike in Woodstock, New York just prior to World War II. After moving back to New York City in 1910, Fischer sold his first illustration to "Harper's Weekly", then illustrated an "Everybody's Magazine" story by Jack London, for whom he would illustrate many books and magazine stories until London's death in 1916. Also in 1910, Fischer began illustrating for "The Saturday Evening Post", a relationship that would last for forty-eight years. He illustrated such stories as Kyne's "Cappy Ricks," Gilpatrick's "Glencannon," as well as serials by Kenneth Roberts, and Nordoff and Hall. From 1909 to 1920 he created more than one-thousand illustrations featuring women and babies, pretty girls, dogs and horses, sports, the Navy and the sea. He later went on to illustrate Tugboat Annie in 1931. He confessed his favorite character was "that old reprobate Glencannon," with the big broom moustache. U.S. Navy Commander Lincoln Lothrop had once written to the artist: “My two lads, one of whom is now a twenty-two-year-old lieutenant in the Navy … used to cut out your pictures and pin them on the walls of their rooms. … You are responsible for recruiting many a seagoing lad.” His work on seas scapes got Fischer an invitation to lunch with Vice Admiral Russell Waesche, Commandant of the Coast Guard for the purpose of recruiting at the height of World War II. The January 9, 1943, Post described a good encounter with the Vice Admiral. Although Waesche knew Fischer was born in (Germany) and anti-New Dealer, but by late that same afternoon, Fischer was sworn in as a lieutenant commander in the Coast Guard. He was charged with putting on canvas some of the heroic deeds of the Merchant Mariners and Coast Guardsmen, then considered at the time the least publicized men of the armed forces. His drawings are archived in the Coast Guard Academy in New London, Connecticut. Also known for illustrating books such as Moby Dick, Treasure Island, and 20,000 Leagues Under the Sea, Anton Otto Fischer died far from his beloved sea in the Catskill Mountains of Woodstock, New York, in 1962 at the age of 80. The Friends of Historic Kingston hosted a lecture featuring Fischer's great-nephew, Andre Mele, in September 2011. Mele remembered 'Uncle Otto' with a heavy German accent who often enjoyed playing the piano and smoking cigars. He could frequently be found gardening or listening to the New York Yankees on the radio through his headphones. Fischer was often sought after for his investment advice and amassed a $2 million fortune during his lifetime. SPECIAL CHARACTERISTICS/DESCRIPTIVE WORDS: Two page centerspread fraught art of men attempting to light a lantern in a rowboat at night as they hope to flag down a passing ship, “The last match,” not signed but almost certainly Anton Otto Fisher.Life is an American magazine published weekly from 1883 to 1972, as an intermittent "special" until 1978, a monthly from 1978 until 2000, and an online supplement since 2008. During its golden age from 1936 to 1972, Life was a wide-ranging weekly general-interest magazine known for the quality of its photography, and was one of the nation's most popular magazines, regularly reaching one-quarter of the population. Life was published independently for its first 53 years until 1936 as a general-interest and light entertainment magazine, heavy on illustrations, jokes, and social commentary. It featured some of the most important writers, editors, illustrators and cartoonists of its time: Charles Dana Gibson, Norman Rockwell and Jacob Hartman Jr. Gibson became the editor and owner of the magazine after John Ames Mitchell died in 1918. During its later years, the magazine offered brief capsule reviews (similar to those in The New Yorker) of plays and movies running in New York City, but with the innovative touch of a colored typographic bullet resembling a traffic light, appended to each review: green for a positive review, red for a negative one, and amber for mixed notices. In 1936, Time publisher Henry Luce bought Life solely for its title, and greatly redesigned the publication. LIFE (stylized in all caps) became the first all-photographic American news magazine, and it dominated the market for several decades, with a circulation peaking at over 13.5 million copies a week. One striking image published in the magazine was Alfred Eisenstaedt's photograph of a nurse in a sailor's arms, taken on August 14, 1945, during a VJ-Day celebration in New York's Times Square. The magazine's role in the history of photojournalism is considered its most important contribution to publishing. Its prestige attracted the memoirs of President Harry S. Truman, Prime Minister Winston Churchill, and General Douglas MacArthur, all serialized in its pages. After 2000, Time Inc. continued to use the Life brand for special and commemorative issues. Life returned to regularly scheduled issues as a weekly newspaper supplement from 2004 to 2007. The website life.com, originally one of the channels on Time Inc.'s Pathfinder service, was for a time in the late 2000s managed as a joint venture with Getty Images under the name See Your World, LLC. On January 30, 2012, the Life.com URL became a photo channel on Time.com. Life was founded on January 4, 1883, in a New York City artist's studio at 1155 Broadway, as a partnership between John Ames Mitchell and Andrew Miller. Mitchell held a 75% interest in the magazine with the remaining 25% held by Miller. Both men retained their holdings until their deaths. Miller served as secretary-treasurer of the magazine and managed the business side of the operation. Mitchell, a 37-year-old illustrator who used a $10,000 inheritance to invest in the weekly magazine, served as its publisher. He also created the first Life name-plate with cupids as mascots and later on, drew its masthead of a knight leveling his lance at the posterior of a fleeing devil. Then he took advantage of a new printing process using zinc-coated plates, which improved the reproduction of his illustrations and artwork. This edge helped because Life faced stiff competition from the best-selling humor magazines Judge and Puck, which were already established and successful. Edward Sandford Martin was brought on as Life's first literary editor; the recent Harvard University graduate was a founder of the Harvard Lampoon. The motto of the first issue of Life was: "While there's Life, there's hope." The magazine was a success and soon attracted the industry's leading contributors, of which the most important was Charles Dana Gibson. Three years after the magazine was founded, the Massachusetts native first sold Life a drawing for $4: a dog outside his kennel howling at the Moon. Encouraged by a publisher, also an artist, Gibson was joined in Life early days by illustrators such as Palmer Cox (creator of the Brownie), A. B. Frost, Oliver Herford and E. W. Kemble. Life's literary roster included the following: John Kendrick Bangs, James Whitcomb Riley and Brander Matthews. Mitchell was accused of anti-Semitism at a time of high rates of immigration to New York of eastern European Jews. When the magazine blamed the theatrical team of Klaw & Erlanger for Chicago's Iroquois Theater Fire in 1903, many people complained. Life's drama critic, James Stetson Metcalfe, was barred from the 47 Manhattan theatres controlled by the Theatrical Syndicate. Life published caricatures of Jews with large noses. Several individuals would publish their first major works in Life. In 1908 Robert Ripley published his first cartoon in Life, 20 years before his Believe It or Not! fame. Norman Rockwell's first cover for Life magazine, Tain't You, was published May 10, 1917. His paintings were featured on Life's cover 28 times between 1917 and 1924. Rea Irvin, the first art director of The New Yorker and creator of the character "Eustace Tilley", began his career by drawing covers for Life. This version of Life took sides in politics and international affairs, and published pro-American editorials. After Germany attacked Belgium in 1914, Mitchell and Gibson undertook a campaign to push the U.S. into the war. Gibson drew the Kaiser as a bloody madman, insulting Uncle Sam, sneering at crippled soldiers, and shooting Red Cross nurses. Following Mitchell's death in 1918, Gibson bought the magazine for $1 million, but the end of World War I had brought on social change. Life's brand of humor was outdated, as readers wanted more daring and risque works, and Life struggled to compete. A little more than three years after purchasing Life, Gibson quit and turned the decaying property over to publisher Clair Maxwell and treasurer Henry Richter. Gibson retired to Maine to paint and lost interest in the magazine. In 1920, Gibson selected former Vanity Fair staffer Robert E. Sherwood as editor. A WWI veteran and member of the Algonquin Round Table, Sherwood tried to inject sophisticated humor onto the pages. Life published Ivy League jokes, cartoons, flapper sayings and all-burlesque issues. Beginning in 1920, Life undertook a crusade against Prohibition. It also tapped the humorous writings of Frank Sullivan, Robert Benchley, Dorothy Parker, Franklin Pierce Adams and Corey Ford. Among the illustrators and cartoonists were Ralph Barton, Percy Crosby, Don Herold, Ellison Hoover, H. T. Webster, Art Young and John Held, Jr. Life had 250,000 readers in 1920, but as the Jazz Age rolled into the Great Depression, the magazine lost money and subscribers. By the time Maxwell and editor George Eggleston took over, Life had switched from publishing weekly to monthly. The two men went to work revamping its editorial style to meet the times, which resulted in improved readership. However, Life had passed its prime and was sliding toward financial ruin. The New Yorker, debuting in February 1925, copied many of the features and styles of Life; it recruited staff from its editorial and art departments. Another blow to Life's circulation came from raunchy humor periodicals such as Ballyhoo and Hooey, which ran what can be termed "outhouse" gags. In 1933, Esquire joined Life's competitors. In its final years, Life struggled to make a profit. Announcing the end of Life, Maxwell stated: "We cannot claim, like Mr. Gene Tunney, that we resigned our championship undefeated in our prime. But at least we hope to retire gracefully from a world still friendly." Life was an American magazine of humor, commentary, and entertainment founded by John Ames Mitchell in the 19th century. (He also edited it for the majority of its run, until his death.). Life began in 1883. No issue copyright renewals were found for this serial. The first copyright-renewed contribution is from June 14, 1929. In 1936, the magazine was bought by Henry Luce of Time, Inc., who launched a new magazine with the same name but completely different staff and subscription base. We are not aware of active copyrights in the issues linked below. ADVERT SIZE: SEE RULER SIDES IN PHOTO FOR DIMENSIONS ( ALL DIMENSIONS IN INCHES) **For multiple purchases please ASK FOR + wait for our combined invoice. Shipping discount are ONLY available with this method. Thank You. At BRANCHWATER BOOKS we look for rare & unusual ADVERTISING, COVERS + PRINTS of commercial graphics from throughout the world. Our AD's and COVER'S are ORIGINAL and 100% guaranteed --- (we code all our items to insure authenticity) ---- we stand behind this. As graphic collectors ourselves, we take great pride in doing the best job we can to preserve and extend the wonderful historic graphics of the past. PLEASE LOOK AT OUR PHOTO CLOSELY AS IT IS (ALBEIT LOWER RESOLUTION) THE PRODUCT BEING SOLD.....NOT STOCK IMAGES **NOTE** : PAGES MAY SHOW AGE WEAR AND IMPERFECTIONS TO MARGINS, WITH CLOSED NICKS AND CUTS, WHICH DO NOT AFFECT AD IMAGE OR TEXT WHEN MATTED AND FRAMED. SOMETIMES THE PAGES HAVE BEEN TRIMMED.. PLEASE NOTE THE ACTUAL SIZE OF SELLING AD IN THE ATTACHED PHOTO IMAGE... WHAT YOU SEE IS WHAT YOU GET... We ship via United States Postal Service. We have a 3 day handling time not including weekends or holidays but normally we have all orders processed, packed and shipped within 48 hrs. A Note to our international buyers (Including Canada). Please read before placing a bid or buying an item: **Import taxes, duties and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying on items. 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End Time: 2024-12-01T01:23:51.000Z

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